相关论文: Configurations, Tessellations and Tone Networks

In a previous submission, we established a fundamental relation between tone networks and configurations. It was shown that the Eulerian tonnetz can be represented by a $\{12_3\}$ of Daublebsky von Sterneck type D222. We also constructed a…

For example, in the chromatic circle, the twelve tones are represented by twelve points on a circle, and in Tonnetz, the relationships among harmonies are represented by a triangular lattice. Recently, we have shown that several…

This article deals with the construction of surfaces that are suitable for representing pentachords or 5-pitch segments that are in the same $T/I$ class. It is a generalization of the well known \"Ottingen-Riemann torus for triads of…

We give a definition of a what we call a `tonnetz' on a triangulated surface, generalising the famous tonnetz of Euler from 1739. In Euler's tonnetz the vertices of a regular `$A_2$ triangulation' of the plane are labelled with notes, or…

Can music be represented as a meaningful geometric and topological object? In this paper, we propose a strategy to describe some music features as a polyhedral surface obtained by a simplicial interpretation of the \textit{Tonnetz}. The…

The standard 2-dimensional Tonnetz describes parsimonious voice-leading connections between major and minor triads as the 3-dimensional Tonnetz does for dominant seventh and half-diminished seventh chords. In this paper, I present a…

While motivated by structural problems in mathematical music theory, this article introduces a novel combinatorial framework that advances the classification of cyclic cubic bipartite graphs. We extend the classical study of Levi graphs by…

Motivated by classical Euler's $Tonnetz$, we introduce and study the combinatorics and topology of more general simplicial complexes $Tonn^{n,k}(L)$ of "Tonnetz type". Out main result is that for a sufficiently generic choice of parameters…

We study tensor network varieties associated with the triangular graph, with a focus on the case where one of the physical dimensions is 2. This allows us to interpret the tensors as pencils of matrices. We provide a complete…

We propose a complex network approach to the harmonic structure underpinning western tonal music. From a database of Beethoven's string quartets, we construct a directed network whose nodes are musical chords and edges connect chords…

In this paper we consider a random partition of the plane into cells, the partition being based on the nodes and links of a {\it random planar geometric graph}. The resulting structure generalises the \emph{random \tes}\ hitherto studied in…

We report an approach to obtaining complex networks with diverse topology, here called syntonets, taking into account the consonances and dissonances between notes as defined by scale temperaments. Though the fundamental frequency is…

In this purely experimental work we try to represent the set of plane maps with 3 vertices and 3 faces as a bipartite ribbon graph. In particular, this construction allows one to estimate the genus of the initial set.

We introduce and study a three-folded linear operator depending on three parameters that has associated a triangular number tilling of the plane. As a result the set of all triples of integers is decomposed in classes of equivalence…

Multinets are certain configurations of lines and points with multiplicities in the complex projective plane P2. They are used in the studies of resonance and characteristic varieties of complex hyperplane arrangement complements and…

Tessellations are an important tool to model the microstructure of cellular and polycrystalline materials. Classical tessellation models include the Voronoi diagram and Laguerre tessellation whose cells are polyhedra. Due to the convexity…

We study a generalization of the classical Riemannian Tonnetz to N-tone equally tempered scales (for all N) and arbitrary triads. We classify all the spaces that result. The torus turns out to be the most common possibility, especially as N…

The Dedekind tessellation -- the regular tessellation of the upper half-plane by the Mobius action of the modular group -- is usually viewed as a system of ideal triangles. We change the focus from triangles to circles and give their…

We show that a line arrangement in the complex projective plane supports a nontrivial resonance variety if and only if it is the underlying arrangement of a "multinet," a multi-arrangement with a partition into three or more equinumerous…

We introduce the concept of dynamical score networks for the representation and analysis of tonal compositions: a score is interpreted as a dynamical network where every chord is a node and each progression links successive chords. This…