相关论文: A Visualization of the Classical Musical Tradition
This paper presents the Computoser hybrid probability/rule based algorithm for music composition (http://computoser.com) and provides a reference implementation. It addresses the issues of unpleasantness and lack of variation exhibited by…
A rich variety of non-equilibrium dynamical phenomena and processes unambiguously calls for the development of general numerical techniques to probe and estimate a complex interplay between spatial and temporal degrees of freedom in…
Online music databases have increased signicantly as a consequence of the rapid growth of the Internet and digital audio, requiring the development of faster and more efficient tools for music content analysis. Musical genres are widely…
The claim that there is an inconsistency of quantum-classical dynamics [1] is investigated. We point out that a consistent formulation of quantum and classical dynamics which can be used to describe quantum measurement processes is already…
Human annotations of mood in music are essential for music generation and recommender systems. However, existing datasets predominantly focus on Western songs with terms derived from English, which may limit generalizability across diverse…
This paper addresses the problem of cross-modal musical piece identification and retrieval: finding the appropriate recording(s) from a database given a sheet music query, and vice versa, working directly with audio and scanned sheet music…
Notes in a musical piece are building blocks employed in non-random ways to create melodies. It is the "interaction" among a limited amount of notes that allows constructing the variety of musical compositions that have been written in…
Basso continuo is a baroque improvisatory accompaniment style which involves improvising multiple parts above a given bass line in a musical score on a harpsichord or organ. Basso continuo is not merely a matter of history; moreover, it is…
Answers to the question how a classical world emerges from underlying quantum physics are revisited, connected and extended as follows. First, three distinct concepts are compared: decoherence in open quantum systems, consistent/decoherent…
Algorithmic composition is the partial or total automation of the process of music composition by using computers. Since the 1950s, different computational techniques related to Artificial Intelligence have been used for algorithmic…
The abstraction of musical structures (notes, melodies, chords, harmonic or rhythmic progressions, etc.) as mathematical objects in a geometrical space is one of the great accomplishments of contemporary music theory. Building on this…
A large amount of musical heritage has been digitised by memory institutions: libraries, museums, and archives. Nevertheless, the field of Optical Music Recognition (OMR) has struggled with making this music machine-readable, despite…
Generative models guided by text prompts are increasingly becoming more popular. However, no text-to-MIDI models currently exist due to the lack of a captioned MIDI dataset. This work aims to enable research that combines LLMs with symbolic…
In this paper, we analyze a sample of clippings from paintings by the late artist Bob Ross. Previous work focused on the qualitative themes of his paintings (Hickey, 2014); here, we expand on that line of research by considering the…
Manually investigating sheet music collections is challenging for music analysts due to the magnitude and complexity of underlying features, structures, and contextual information. However, applying sophisticated algorithmic methods would…
By a "scheme" of a musical canon, we mean the time and pitch displacement of each entering voice. When the time displacements are unequal, achieving consonant sonorities is especially challenging. Using a first-species theoretical model, we…
Observables in a quantum system, represented by a Hilbert space, are given by the orthogonal bases of the aforementioned Hilbert space. Categorical Quantum Mechanics provides further abstraction of such observables, allowing for a…
Empirical performance analysis depends on the accurate extraction of tempo data from recordings, yet standard computational tools, designed for monophonic audio or modern studio conditions, fail systematically when applied to historical…
Melody reduction, as an abstract representation of musical compositions, serves not only as a tool for music analysis but also as an intermediate representation for structured music generation. Prior computational theories, such as the…
The literature describes many visualization techniques for different types of data, tasks, and application contexts, and new techniques are proposed on a regular basis. Visualization surveys try to capture the immense space of techniques…