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相关论文: Which notes are Vadi-Samvadi in Raga Rageshree?

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A raga is a melodic structure with fixed notes and a set of rules characterizing a certain mood endorsed through performance. By a vadi swar is meant that note which plays the most significant role in expressing the raga. A samvadi swar…

Carnatic music, a form of Indian Art Music, has relied on an oral tradition for transferring knowledge across several generations. Over the last two hundred years, the use of prescriptive notations has been adopted for learning,…

音频与语音处理 · 电气工程与系统科学 2017-12-01 Ranjani H. G. , T. V. Sreenivas

Raga is a fundamental melodic concept in Indian Art Music (IAM). It is characterized by complex patterns. All performances and compositions are based on the raga framework. Raga and tonic detection have been a long-standing research problem…

声音 · 计算机科学 2023-09-01 Vishwaas Narasinh , Senthil Raja G

In North Indian Classical music, each raga has been traditionally associated with a performance time, which supposedly maximizes its aesthetic and emotional effects on the listener. The objective of this work was to investigate the…

声音 · 计算机科学 2021-11-02 Ananya Giri

The impact of Music on the mood or emotion of the listener is a well-researched area in human psychology and behavioral science. In Indian classical music, ragas are the melodic structure that defines the various styles and forms of the…

Semi Natural Algorithmic composition (SNCA) is the technique of using algorithms to create music note sequences in computer with the understanding that how to render them would be decided by the composer. In our approach we are proposing an…

声音 · 计算机科学 2018-08-07 Devashish Gosain , Soubhik Chakraborty , Mohit Sajwan

The term jitter and shimmer has long been used in the domain of speech and acoustic signal analysis as a parameter for speaker identification and other prosodic features. In this study, we look forward to use the same parameters in neural…

神经元与认知 · 定量生物学 2017-05-11 Sayan Nag , Sayan Biswas , Sourya Sengupta , Shankha Sanyal , Archi Banerjee , Ranjan Sengupta , Dipak Ghosh

In North Indian Classical Music, raga forms the basic structure over which individual improvisations is performed by an artist based on his/her creativity. The Alap is the opening section of a typical Hindustani Music (HM) performance,…

声音 · 计算机科学 2016-12-02 Shankha Sanyal , Archi Banerjee , Tarit Guhathakurata , Ranjan Sengupta , Dipak Ghosh

In North-Indian-Music-System(NIMS),tabla is mostly used as percussive accompaniment for vocal-music in polyphonic-compositions. The human auditory system uses perceptual grouping of musical-elements and easily filters the tabla component,…

声音 · 计算机科学 2018-11-08 Susmita Bhaduri , Anirban Bhaduri , Dipak Ghosh

Since the start of Indian cinema, a number of films have been made where a particular song is based on a certain raga. These songs have been taking a major role in spreading the essence of classical music to the common people, who have no…

声音 · 计算机科学 2021-05-27 Shankha Sanyal , Archi Banerjee , Souparno Roy , Sayan Nag , Ranjan Sengupta , Dipak Ghosh

Raga identification is an important problem within the domain of Indian Art music, as Ragas are fundamental to its composition and performance, playing a crucial role in music retrieval, preservation, and education. Few studies that have…

音频与语音处理 · 电气工程与系统科学 2025-07-01 Parampreet Singh , Vipul Arora

Temporal dynamics are among the cues to expres siveness in music performance in different cultures. In the case of Hindustani music, it is well known that expert vocalists often take liberties with the beat, intentionally not aligning their…

音频与语音处理 · 电气工程与系统科学 2025-03-28 Yash Bhake , Preeti Rao

Raga is a central musical concept in South Asia, especially India, and we investigate connections between Western classical music and Melakarta raga that is a raga in Karnatak (south Indian) classical music, through musical icosahedron. In…

声音 · 计算机科学 2021-09-28 Yusuke Imai

Raga is the central melodic concept in Hindustani Classical Music. It has a complex structure, often characterized by pathos. In this paper, we describe a technique for Automatic Raga Recognition, based on pitch distributions. We are able…

声音 · 计算机科学 2017-08-09 Sanchit Alekh

A vital aspect of Indian Classical Music (ICM) is Raga, which serves as a melodic framework for compositions and improvisations alike. Raga Recognition is an important music information retrieval task in ICM as it can aid numerous…

声音 · 计算机科学 2024-02-16 Sathwik Tejaswi Madhusudhan , Girish Chowdhary

This paper presents an attempt to study the aesthetics of North Indian Khayal music with reference to the flexibility exercised by artists in performing popular compositions. We study expressive timing and pitch variations of the given…

音频与语音处理 · 电气工程与系统科学 2025-08-07 Yash Bhake , Ankit Anand , Preeti Rao

Large scale machine learning-based Raga identification continues to be a nontrivial issue in the computational aspects behind Carnatic music. Each raga consists of many unique and intrinsic melodic patterns that can be used to easily…

声音 · 计算机科学 2024-05-29 Sanjay Natesan , Homayoon Beigi

Tabla, a percussion instrument, mainly used to accompany vocalists, instrumentalists and dancers in every style of music from classical to light in India, mainly used for keeping rhythm. This percussion instrument consists of two drums…

Gamakas are an integral aspect of Carnatic Music, a form of classical music prevalent in South India. They are used in ragas, which may be seen as melodic scales and/or a set of characteristic melodic phrases. Gamakas exhibit continuous…

声音 · 计算机科学 2017-11-08 Venkata Subramanian Viraraghavan , Arpan Pal , R Aravind , Hema Murthy

Ragas form the foundation for Indian Classical Music. The task of Raga Recognition has gained traction in the Music Information Retrieval community in the recent past, which can be attributed to the nuances of Indian Classical Music that…

声音 · 计算机科学 2022-12-13 Devayani Hebbar , Vandana Jagtap
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