相关论文: Sequential Pitch Distributions for Raga Detection

Raga is the central melodic concept in Hindustani Classical Music. It has a complex structure, often characterized by pathos. In this paper, we describe a technique for Automatic Raga Recognition, based on pitch distributions. We are able…

A raga is a melodic structure with fixed notes and a set of rules characterizing a certain mood endorsed through performance. By a vadi swar is meant that note which plays the most significant role in expressing the raga. A samvadi swar…

A vital aspect of Indian Classical Music (ICM) is Raga, which serves as a melodic framework for compositions and improvisations alike. Raga Recognition is an important music information retrieval task in ICM as it can aid numerous…

Carnatic music, a form of Indian Art Music, has relied on an oral tradition for transferring knowledge across several generations. Over the last two hundred years, the use of prescriptive notations has been adopted for learning,…

Large scale machine learning-based Raga identification continues to be a nontrivial issue in the computational aspects behind Carnatic music. Each raga consists of many unique and intrinsic melodic patterns that can be used to easily…

Raga identification is an important problem within the domain of Indian Art music, as Ragas are fundamental to its composition and performance, playing a crucial role in music retrieval, preservation, and education. Few studies that have…

Raga classification in Indian Art Music is an open-set problem where unseen classes may appear during testing. However, traditional approaches often treat it as a closed set problem, rejecting the possibility of encountering unseen classes.…

Ragas form the foundation for Indian Classical Music. The task of Raga Recognition has gained traction in the Music Information Retrieval community in the recent past, which can be attributed to the nuances of Indian Classical Music that…

In North Indian Classical music, each raga has been traditionally associated with a performance time, which supposedly maximizes its aesthetic and emotional effects on the listener. The objective of this work was to investigate the…

Raga identification in Indian Art Music (IAM) remains challenging due to the presence of numerous rarely performed Ragas that are not represented in available training datasets. Traditional classification models struggle in this setting, as…

Speech coding forms a crucial element in speech communications. An important area concerning it lies in feature extraction which can be used for analyzing Hindustani Classical Music. An important feature in this respect is the fundamental…

Music is a string of some of the notes out of 12 notes (Sa, Komal_re, Re, Komal_ga, Ga, Ma, Kari_ma, Pa, Komal_dha, Dha, Komal_ni, Ni) and their harmonics. Each note corresponds to a particular frequency. When such strings are encoded to…

The impact of Music on the mood or emotion of the listener is a well-researched area in human psychology and behavioral science. In Indian classical music, ragas are the melodic structure that defines the various styles and forms of the…

This paper presents an attempt to study the aesthetics of North Indian Khayal music with reference to the flexibility exercised by artists in performing popular compositions. We study expressive timing and pitch variations of the given…

We present a melody based classification of musical styles by exploiting the pitch and energy based characteristics derived from the audio signal. Three prominent musical styles were chosen which have improvisation as integral part with…

In North Indian Classical Music, raga forms the basic structure over which individual improvisations is performed by an artist based on his/her creativity. The Alap is the opening section of a typical Hindustani Music (HM) performance,…

Gamakas are an integral aspect of Carnatic Music, a form of classical music prevalent in South India. They are used in ragas, which may be seen as melodic scales and/or a set of characteristic melodic phrases. Gamakas exhibit continuous…

Signal analysis is one of the finest scientific techniques in communication theory. Some quantitative and qualitative measures describe the pattern of a music signal, vary from one to another. Same musical recital, when played by different…

Semi Natural Algorithmic composition (SNCA) is the technique of using algorithms to create music note sequences in computer with the understanding that how to render them would be decided by the composer. In our approach we are proposing an…

Temporal dynamics are among the cues to expres siveness in music performance in different cultures. In the case of Hindustani music, it is well known that expert vocalists often take liberties with the beat, intentionally not aligning their…