相关论文: Automatic Raga Recognition in Hindustani Classical…
Raga is a fundamental melodic concept in Indian Art Music (IAM). It is characterized by complex patterns. All performances and compositions are based on the raga framework. Raga and tonic detection have been a long-standing research problem…
In North Indian Classical Music, raga forms the basic structure over which individual improvisations is performed by an artist based on his/her creativity. The Alap is the opening section of a typical Hindustani Music (HM) performance,…
A raga is a melodic structure with fixed notes and a set of rules characterizing a certain mood endorsed through performance. By a vadi swar is meant that note which plays the most significant role in expressing the raga. A samvadi swar…
The impact of Music on the mood or emotion of the listener is a well-researched area in human psychology and behavioral science. In Indian classical music, ragas are the melodic structure that defines the various styles and forms of the…
A vital aspect of Indian Classical Music (ICM) is Raga, which serves as a melodic framework for compositions and improvisations alike. Raga Recognition is an important music information retrieval task in ICM as it can aid numerous…
Raga identification is an important problem within the domain of Indian Art music, as Ragas are fundamental to its composition and performance, playing a crucial role in music retrieval, preservation, and education. Few studies that have…
Carnatic music, a form of Indian Art Music, has relied on an oral tradition for transferring knowledge across several generations. Over the last two hundred years, the use of prescriptive notations has been adopted for learning,…
Ragas form the foundation for Indian Classical Music. The task of Raga Recognition has gained traction in the Music Information Retrieval community in the recent past, which can be attributed to the nuances of Indian Classical Music that…
Large scale machine learning-based Raga identification continues to be a nontrivial issue in the computational aspects behind Carnatic music. Each raga consists of many unique and intrinsic melodic patterns that can be used to easily…
We present a melody based classification of musical styles by exploiting the pitch and energy based characteristics derived from the audio signal. Three prominent musical styles were chosen which have improvisation as integral part with…
Speech coding forms a crucial element in speech communications. An important area concerning it lies in feature extraction which can be used for analyzing Hindustani Classical Music. An important feature in this respect is the fundamental…
In North Indian Classical music, each raga has been traditionally associated with a performance time, which supposedly maximizes its aesthetic and emotional effects on the listener. The objective of this work was to investigate the…
This paper presents an attempt to study the aesthetics of North Indian Khayal music with reference to the flexibility exercised by artists in performing popular compositions. We study expressive timing and pitch variations of the given…
Since the start of Indian cinema, a number of films have been made where a particular song is based on a certain raga. These songs have been taking a major role in spreading the essence of classical music to the common people, who have no…
Raga identification in Indian Art Music (IAM) remains challenging due to the presence of numerous rarely performed Ragas that are not represented in available training datasets. Traditional classification models struggle in this setting, as…
In Hindustani classical music, the tabla plays an important role as a rhythmic backbone and accompaniment. In applications like computer-based music analysis, learning singing, and learning musical instruments, tabla stroke transcription,…
The tabla is a unique percussion instrument due to the combined harmonic and percussive nature of its timbre, and the contrasting harmonic frequency ranges of its two drums. This allows a tabla player to uniquely emphasize parts of the…
Hindustani classical music is entirely based on the "Raga" structures. In Hindustani music, a "Gharana" or school refers to the adherence of a group of musicians to a particular musical style. Gharanas have their basis in the traditional…
Temporal dynamics are among the cues to expres siveness in music performance in different cultures. In the case of Hindustani music, it is well known that expert vocalists often take liberties with the beat, intentionally not aligning their…
Indian classical music relies on a sophisticated microtonal system of 22 shrutis (pitch intervals), which provides expressive nuance beyond the 12-tone equal temperament system. Existing symbolic music processing tools fail to account for…