相关论文: Acoustic Overspecification in Electronic Dance Mus…

Subword units are commonly used for end-to-end automatic speech recognition (ASR), while a fully acoustic-oriented subword modeling approach is somewhat missing. We propose an acoustic data-driven subword modeling (ADSM) approach that…

Environmental Sound Classification (ESC) is an active research area in the audio domain and has seen a lot of progress in the past years. However, many of the existing approaches achieve high accuracy by relying on domain-specific features…

Engineered living materials (ELMs) are the most relevant contemporary revolution in materials science and engineering. These ELMs aim to outperform current examples of "smart", active or multifunctional materials, enabling countless…

Federated learning is generally used in tasks where labels are readily available (e.g., next word prediction). Relaxing this constraint requires design of unsupervised learning techniques that can support desirable properties for federated…

The rapid evolution of end-to-end AI music generation poses an escalating threat to artistic authenticity and copyright, demanding detection methods that can keep pace. While foundational, existing models like SpecTTTra falter when faced…

Music Information Retrieval (MIR) research is increasingly leveraging representation learning to obtain more compact, powerful music audio representations for various downstream MIR tasks. However, current representation evaluation methods…

Multi-label classification is a type of supervised machine learning that can simultaneously assign multiple labels to an instance. To solve this task, some methods divide the original problem into several sub-problems (local approach),…

Audio-based cover song detection has received much attention in the MIR community in the recent years. To date, the most popular formulation of the problem has been to compare the audio signals of two tracks and to make a binary decision…

The human brain receives stimuli in multiple ways; among them, audio constitutes an important source of relevant stimuli for the brain regarding communication, amusement, warning, etc. In this context, the aim of this manuscript is to…

Digital advances have transformed the face of automatic music generation since its beginnings at the dawn of computing. Despite the many breakthroughs, issues such as the musical tasks targeted by different machines and the degree to which…

This paper addresses the problem of global tempo estimation in musical audio. Given that annotating tempo is time-consuming and requires certain musical expertise, few publicly available data sources exist to train machine learning models…

The rapid emergence of high-dimensional data in various areas has brought new challenges to current ensemble clustering research. To deal with the curse of dimensionality, recently considerable efforts in ensemble clustering have been made…

The music genre perception expressed through human annotations of artists or albums varies significantly across language-bound cultures. These variations cannot be modeled as mere translations since we also need to account for cultural…

This paper presents a geometric approach to pitch estimation (PE)-an important problem in Music Information Retrieval (MIR), and a precursor to a variety of other problems in the field. Though there exist a number of highly-accurate…

We present a feature engineering pipeline for the construction of musical signal characteristics, to be used for the design of a supervised model for musical genre identification. The key idea is to extend the traditional two-step process…

Environmental Sound Classification (ESC) is an important and challenging problem, and feature representation is a critical and even decisive factor in ESC. Feature representation ability directly affects the accuracy of sound…

A significant challenge in sound event detection (SED) is the effective utilization of unlabeled data, given the limited availability of labeled data due to high annotation costs. Semi-supervised algorithms rely on labeled data to learn…

Estimating the fundamental frequency, or melody, is a core task in Music Information Retrieval (MIR). Various studies have explored signal processing, machine learning, and deep-learning-based approaches, with a very recent focus on…

In this work, we study music/video cross-modal recommendation, i.e. recommending a music track for a video or vice versa. We rely on a self-supervised learning paradigm to learn from a large amount of unlabelled data. We rely on a…

We propose a novel method to model hierarchical metrical structures for both symbolic music and audio signals in a self-supervised manner with minimal domain knowledge. The model trains and inferences on beat-aligned music signals and…