相关论文: Pure Data and INScore: Animated notation for new m…
In this work, we propose a symbolic music generation model with the song structure graph analysis network. We construct a graph that uses information such as note sequence and instrument as node features, while the correlation between note…
This thesis develops a Transformer model based on Whisper, which extracts melodies and chords from music audio and records them into ABC notation. A comprehensive data processing workflow is customized for ABC notation, including data…
Advancements in the digital technologies have enabled researchers to develop a variety of Computational Music applications. Such applications are required to capture, process, and generate data related to music. Therefore, it is important…
The representation of basic elements of music in terms of discrete audio signals is often used in software for musical creation and design. Nevertheless, there is no unified approach that relates these elements to the discrete samples of…
Musical score following is the real-time mapping of a performance to corresponding locations in a musical score. Score following can be used in a variety of applications including automatic page turning and real-time accompaniment. This…
We present a new system for simultaneous estimation of keys, chords, and bass notes from music audio. It makes use of a novel chromagram representation of audio that takes perception of loudness into account. Furthermore, it is fully based…
Live coding is a performance and creative technique based on improvised and interactive coding. Many recent endeavors have focused in live coding both because of aesthetics and as a way to alleviate performance drawbacks when the musical…
The assessment of music performances in most cases takes into account the underlying musical score being performed. While there have been several automatic approaches for objective music performance assessment (MPA) based on extracted…
Recent advances in deep learning have enabled the extraction of high-level features from raw sensor data which has opened up new possibilities in many different fields, including computer generated choreography. In this paper we present a…
Choreographies are global descriptions of interactions among concurrent components, most notably used in the settings of verification and synthesis of correct-by-construction software. They require a top-down approach: programmers first…
We propose a system that learns from artistic pairings of music and corresponding album cover art. The goal is to 'translate' paintings into music and, in further stages of development, the converse. We aim to deploy this system as an…
Conventional Music Notation (CMN) is the well-established foundation for the written communication of musical information, such as rhythm, harmony, or timbre. However, CMN suffers from the complexity of its visual encoding and the need for…
The field of music generation using Large Language Models (LLMs) is evolving rapidly, yet existing music notation systems, such as MIDI, ABC Notation, and MusicXML, remain too complex for effective fine-tuning of LLMs. These formats are…
This paper addresses the problem of sheet-image-based on-line audio-to-score alignment also known as score following. Drawing inspiration from object detection, a conditional neural network architecture is proposed that directly predicts…
This paper presents Skini, a programming methodology and an execution environment for interactive structured music. With this system, the composer programs his scores in the HipHop.js synchronous reactive language. They are then executed,…
Live music making can be understood as an enactive process, whereby musical experiences are created through human action. This suggests that musical worlds coevolve with their agents through repeated sensorimotor interactions with the…
Commercial adoption of automatic music composition requires the capability of generating diverse and high-quality music suitable for the desired context (e.g., music for romantic movies, action games, restaurants, etc.). In this paper, we…
Singing voice separation aims to separate music into vocals and accompaniment components. One of the major constraints for the task is the limited amount of training data with separated vocals. Data augmentation techniques such as random…
In this article, a framework for defining and analysing a family of graphs or networks from symbolic music information is discussed. Such graphs concern different types of elements, such as pitches, chords and rhythms, and the relations…
Dynamic systems have found their use in sound synthesis as well as score synthesis. These levels can be integrated in monolithic autonomous systems in a novel approach to algorithmic composition that shares certain aesthetic motivations…