相关论文: Neural coincidence detection strategies during per…

The perception of consonance/dissonance of musical harmonies is strongly correlated with their periodicity. This is shown in this article by consistently applying recent results from psychophysics and neuroacoustics, namely that the just…

In this paper the auditory model developed by Dau et al. [J. Acoust. Soc. Am. 102, 2892-2905 (1997)] was used to simulate the perceptual similarity between complex sounds. For this purpose, a central processor stage was developed and…

The ability of the auditory system to perceive the fundamental frequency of a sound even when this frequency is removed from the stimulus is an interesting phenomenon related to the pitch of complex sounds. This capability is known as…

Music is increasingly being used as a therapeutic tool in the field of rehabilitation medicine and psychophysiology. One of the main key components of music is its temporal organization. The characteristics of neurocognitive processes…

Instrumental playing techniques such as vibratos, glissandos, and trills often denote musical expressivity, both in classical and folk contexts. However, most existing approaches to music similarity retrieval fail to describe timbre beyond…

Pitch is a fundamental aspect of auditory perception. Pitch perception is commonly described across two perceptual dimensions: pitch height is the sense that tones with varying frequencies seem to be higher or lower, and chroma equivalence…

This study argues that electronic tones routinely used in contemporary popular music - including 808-style bass and power chords - are structurally and perceptually equivalent to multiphonics in contemporary classical music. Using listening…

The relationship between perceptual loudness and physical attributes of sound is an important subject in both computer music and psychoacoustics. Early studies of "equal-loudness contour" can trace back to the 1920s and the measured…

To achieve a flexible recommendation and retrieval system, it is desirable to calculate music similarity by focusing on multiple partial elements of musical pieces and allowing the users to select the element they want to focus on. A…

Aims. This study suggests that the use of multiple perceived pitches arising from a single harmonic complex tone is an active and intentional feature of contemporary popular music. The phenomenon is illustrated through examples drawn from…

Pitch is the perceptual correlate of sound's periodicity and a fundamental property of the auditory sensation. The interaction of two or more pitches gives rise to a sensation that can be characterized by its degree of consonance or…

This study introduces a biologically-inspired model designed to examine the role of coincidence detection cells in speech segregation tasks. The model consists of three stages: a time-domain cochlear model that generates instantaneous rates…

The origins of consonance in human music has long been contested, and today there are three primary hypotheses: aversion to roughness, preference for harmonicity, and learned preferences from cultural exposure. While the evidence is…

This paper presents an investigation of perceptual similarity between music tracks focusing on each individual instrumental part based on a large-scale listening test towards developing an instrumental-part-based music retrieval. In the…

Based on a case study on 3D printing, we have been experimenting on the sonification of multidimensional data for peripheral process monitoring. In a previous paper, we tested the effectiveness of a soundscape which combined intentionally…

An acoustic stimulus, e.g., a musical harmony, is transformed in a highly non-linear way during the hearing process in ear and brain. We study this by comparing the frequency spectrum of an input stimulus and its response spectrum in the…

We explore the use of a neural network inspired by predictive coding for modeling human music perception. This network was developed based on the computational neuroscience theory of recurrent interactions in the hierarchical visual cortex.…

To date, calculating the frequencies of musical notes requires one to know the frequency of some reference note. In this study, first-order ordinary differential equations are used to arrive at a mathematical model to determine tonal…

We investigated, by using auditory models, how three perceptual parameters, loudness, pitch and sharpness, determine human echolocation. We used acoustic recordings from two previous studies, both from stationary situations, and their…

We present a technique to search for the presence of crucial events in music, based on the analysis of the music volume. Earlier work on this issue was based on the assumption that crucial events correspond to the change of music notes,…