相关论文: Transcoda: End-to-End Zero-Shot Optical Music Reco…
State-of-the-art end-to-end Optical Music Recognition (OMR) has, to date, primarily been carried out using monophonic transcription techniques to handle complex score layouts, such as polyphony, often by resorting to simplifications or…
Optical Music Recognition (OMR) has made significant progress since its inception, with various approaches now capable of accurately transcribing music scores into digital formats. Despite these advancements, most so-called end-to-end OMR…
The majority of recent progress in Optical Music Recognition (OMR) has been achieved with Deep Learning methods, especially models following the end-to-end paradigm, reading input images and producing a linear sequence of tokens.…
Optical Music Recognition (OMR) is an important technology in music and has been researched for a long time. Previous approaches for OMR are usually based on CNN for image understanding and RNN for music symbol classification. In this…
Optical Music Recognition (OMR) is concerned with transcribing sheet music into a machine-readable format. The transcribed copy should allow musicians to compose, play and edit music by taking a picture of a music sheet. Complete…
Previous work has shown that neural architectures are able to perform optical music recognition (OMR) on monophonic and homophonic music with high accuracy. However, piano and orchestral scores frequently exhibit polyphonic passages, which…
Optical Music Recognition (OMR) aims to convert printed or handwritten music score images into editable symbolic representations. This paper presents an end-to-end OMR framework that combines residual bottleneck convolutions with…
The main challenges of Optical Music Recognition (OMR) come from the nature of written music, its complexity and the difficulty of finding an appropriate data representation. This paper provides a first look at DoReMi, an OMR dataset that…
Optical Music Recognition (OMR) is an important technology within Music Information Retrieval. Deep learning models show promising results on OMR tasks, but symbol-level annotated data sets of sufficient size to train such models are not…
In this work, we introduce the Sheet Music Benchmark (SMB), a dataset of six hundred and eighty-five pages specifically designed to benchmark Optical Music Recognition (OMR) research. SMB encompasses a diverse array of musical textures,…
We propose Legato, a new end-to-end model for optical music recognition (OMR), a task of converting music score images to machine-readable documents. Legato is the first large-scale pretrained OMR model capable of recognizing full-page or…
We propose a new approach for a practical two-stage Optical Music Recognition (OMR) pipeline, with a particular focus on its second stage. Given symbol and event candidates from the visual pipeline, we decode them into an editable,…
For over 50 years, researchers have been trying to teach computers to read music notation, referred to as Optical Music Recognition (OMR). However, this field is still difficult to access for new researchers, especially those without a…
Optical music recognition (OMR) aims to convert music notation into digital formats. One approach to tackle OMR is through a multi-stage pipeline, where the system first detects visual music notation elements in the image (object detection)…
Optical Music Recognition (OMR) has long been without an adequate dataset and ground truth for evaluating OMR systems, which has been a major problem for establishing a state of the art in the field. Furthermore, machine learning methods…
Optical Music Recognition (OMR) automates the transcription of musical notation from images into machine-readable formats like MusicXML, MEI, or MIDI, significantly reducing the costs and time of manual transcription. This study explores…
Music transcription, which deals with the conversion of music sources into a structured digital format, is a key problem for Music Information Retrieval (MIR). When addressing this challenge in computational terms, the MIR community follows…
In this paper, we address the challenge of Optical Music Recognition (OMR) for handwritten jazz lead sheets, a widely used musical score type that encodes melody and chords. The task is challenging due to the presence of chords, a score…
Developing open-source foundation models is essential for advancing research in music audio understanding and ensuring access to powerful, multipurpose representations for music information retrieval. We present OMAR-RQ, a model trained…
Modern-day Optical Music Recognition (OMR) is a fairly fragmented field. Most OMR approaches use datasets that are independent and incompatible between each other, making it difficult to both combine them and compare recognition systems…