相关论文: The AudioMOS Challenge 2025

We present the third edition of the VoiceMOS Challenge, a scientific initiative designed to advance research into automatic prediction of human speech ratings. There were three tracks. The first track was on predicting the quality of…

We present the first edition of the VoiceMOS Challenge, a scientific event that aims to promote the study of automatic prediction of the mean opinion score (MOS) of synthetic speech. This challenge drew 22 participating teams from academia…

We present the second edition of the VoiceMOS Challenge, a scientific event that aims to promote the study of automatic prediction of the mean opinion score (MOS) of synthesized and processed speech. This year, we emphasize real-world and…

We present a system for automatic multi-axis perceptual quality prediction of generative audio, developed for Track 2 of the AudioMOS Challenge 2025. The task is to predict four Audio Aesthetic Scores--Production Quality, Production…

The quantification of audio aesthetics remains a complex challenge in audio processing, primarily due to its subjective nature, which is influenced by human perception and cultural context. Traditional methods often depend on human…

Evaluation of text-to-music systems is constrained by the cost and availability of collecting experts for assessment. AudioMOS 2025 Challenge track 1 is created to automatically predict music impression (MI) as well as text alignment (TA)…

This challenge aims to evaluate the capabilities of audio encoders, especially in the context of multi-task learning and real-world applications. Participants are invited to submit pre-trained audio encoders that map raw waveforms to…

Despite significant advancements in neural text-to-audio generation, challenges persist in controllability and evaluation. This paper addresses these issues through the Sound Scene Synthesis challenge held as part of the Detection and…

This paper summarizes the ICASSP 2026 Automatic Song Aesthetics Evaluation (ASAE) Challenge, which focuses on predicting the subjective aesthetic scores of AI-generated songs. The challenge consists of two tracks: Track 1 targets the…

Audio editing aims to manipulate audio content based on textual descriptions, supporting tasks such as adding, removing, or replacing audio events. Despite recent progress, the lack of high-quality benchmark datasets and comprehensive…

This paper introduces the ZevoMOS entry to the main track of the VoiceMOS Challenge 2022. The ZevoMOS submission is based on a two-step finetuning of pretrained self-supervised learning (SSL) speech models. The first step uses a task of…

We present our system (denoted as T05) for the VoiceMOS Challenge (VMC) 2024. Our system was designed for the VMC 2024 Track 1, which focused on the accurate prediction of naturalness mean opinion score (MOS) for high-quality synthetic…

We introduce our submission to the AudioMOS Challenge (AMC) 2025 Track 3: mean opinion score (MOS) prediction for speech with multiple sampling frequencies (SFs). Our submitted model integrates an SF-independent (SFI) convolutional layer…

Accurate audio quality estimation is essential for developing and evaluating audio generation, retrieval, and enhancement systems. Existing non-intrusive assessment models predict a single Mean Opinion Score (MOS) for speech, merging…

The Inspirational and Convincing Audio Generation Challenge 2024 (ICAGC 2024) is part of the ISCSLP 2024 Competitions and Challenges track. While current text-to-speech (TTS) technology can generate high-quality audio, its ability to convey…

Developers of text-to-speech synthesizers (TTS) often make use of human raters to assess the quality of synthesized speech. We demonstrate that we can model human raters' mean opinion scores (MOS) of synthesized speech using a deep…

Predicting audio quality in voice synthesis and conversion systems is a critical yet challenging task, especially when traditional methods like Mean Opinion Scores (MOS) are cumbersome to collect at scale. This paper addresses the gap in…

We propose an audio aesthetics score (AES) prediction system by CyberAgent (AESCA) for AudioMOS Challenge 2025 (AMC25) Track 2. The AESCA comprises a Kolmogorov--Arnold Network (KAN)-based audiobox aesthetics and a predictor from the metric…

Audio deepfake detection is an emerging topic, which was included in the ASVspoof 2021. However, the recent shared tasks have not covered many real-life and challenging scenarios. The first Audio Deep synthesis Detection challenge (ADD) was…

Singing voice generation progresses rapidly, yet evaluating singing quality remains a critical challenge. Human subjective assessment, typically in the form of listening tests, is costly and time consuming, while existing objective metrics…