相关论文: Modeling Perceptual Loudness of Piano Tone: Theory…

In this paper the auditory model developed by Dau et al. [J. Acoust. Soc. Am. 102, 2892-2905 (1997)] was used to simulate the perceptual similarity between complex sounds. For this purpose, a central processor stage was developed and…

Emotion and expressivity in music have been topics of considerable interest in the field of music information retrieval. In recent years, mid-level perceptual features have been suggested as means to explain computational predictions of…

This paper describes a computational model of loudness variations in expressive ensemble performance. The model predicts and explains the continuous variation of loudness as a function of information extracted automatically from the written…

This paper aims to develop a holistic evaluation method for piano sound quality to assist in purchasing decisions. Unlike previous studies that focused on the effect of piano performance techniques on sound quality, this study evaluates the…

Consonance is related to the perception of pleasantness arising from a combination of sounds and has been approached quantitatively using mathematical relations, physics, information theory, and psychoacoustics. Tonal consonance is present…

We propose a timbre conversion model based on the Diffusion architecture de-signed to precisely translate music played by various instruments into piano ver-sions. The model employs a Pitch Encoder and Loudness Encoder to extract pitch and…

This paper introduces a novel method for emulating piano sounds. We propose to exploit the sines, transient, and noise decomposition to design a differentiable spectral modeling synthesizer replicating piano notes. Three sub-modules learn…

The origins of consonance in human music has long been contested, and today there are three primary hypotheses: aversion to roughness, preference for harmonicity, and learned preferences from cultural exposure. While the evidence is…

This study examines pitch contours as a unifying semantic construct prevalent across various audio domains including music, speech, bioacoustics, and everyday sounds. Analyzing pitch contours offers insights into the universal role of pitch…

Computational and human perception are often considered separate approaches for studying sound changes over time; few works have touched on the intersection of both. To fill this research gap, we provide a pioneering review contrasting…

A central goal in automatic music transcription is to detect individual note events in music recordings. An important variant is instrument-dependent music transcription where methods can use calibration data for the instruments in use.…

This project presents an AI-based system for tone replication in music production, focusing on predicting EQ parameter settings directly from audio features. Unlike traditional audio-to-audio methods, our approach outputs interpretable…

Semantic embeddings play a crucial role in natural language-based information retrieval. Embedding models represent words and contexts as vectors whose spatial configuration is derived from the distribution of words in large text corpora.…

The perception of consonance/dissonance of musical harmonies is strongly correlated with their periodicity. This is shown in this article by consistently applying recent results from psychophysics and neuroacoustics, namely that the just…

While neural network models are making significant progress in piano transcription, they are becoming more resource-consuming due to requiring larger model size and more computing power. In this paper, we attempt to apply more prior about…

Motivated by the state-of-art psychological research, we note that a piano performance transcribed with existing Automatic Music Transcription (AMT) methods cannot be successfully resynthesized without affecting the artistic content of the…

Multi-pitch perception is investigated in a listening test using 30 recordings of musical sounds with two tones played simultaneously, except for two gong sounds with inharmonic overtone spectrum, judging roughness and separateness as the…

Perceptual metrics are traditionally used to evaluate the quality of natural signals, such as images and audio. They are designed to mimic the perceptual behaviour of human observers and usually reflect structures found in natural signals.…

The global loudness of a varying intensity sound is greater when the intensity increases than when it decreases. This global loudness asymmetry was found to be larger for pure tones than for broadband noises. In this study, our aim was to…

In recent years, advancements in neural network designs and the availability of large-scale labeled datasets have led to significant improvements in the accuracy of piano transcription models. However, most previous work focused on…