相关论文: Binaural Audio Rendering in the Spherical Harmonic…
Ambisonics encoding of microphone array signals can enable various spatial audio applications, such as virtual reality or telepresence, but it is typically designed for uniformly-spaced spherical microphone arrays. This paper proposes a…
Different methods can be employed to render virtual reverberation, often requiring substantial information about the room's geometry and the acoustic characteristics of the surfaces. However, fully comprehensive approaches that account for…
In this paper, the frequency-domain sound field is regarded as an element of some band-limited function space, and a representation of the field as a linear combination of the reproducing kernel in that space is proposed. This model has the…
This document illustrates how to process the signals from the microphones of a rigid-sphere higher-order ambisonic microphone array so that they are encoded with N3D normalization and ACN channel order and thereby can be used with the…
Characterizing sound field diffuseness has many practical applications, from room acoustics analysis to speech enhancement and sound field reproduction. In this paper we investigate how spherical microphone arrays (SMAs) can be used to…
Imaging is an important means by which information is gathered regarding the physical world. Spatial resolution and signal-to-noise ratio are underpinning concepts. There is a paucity of rigorous definitions for these quantities, which are…
Decomposing the domain of a function into parts has many uses in mathematics. A domain may naturally be a union of pieces, a function may be defined by cases, or different boundary conditions may hold on different regions. For any…
Reverberant sound fields are often modeled as isotropic. However, it has been observed that spatial properties change during the decay of the sound field energy, due to non-isotropic attenuation in non-ideal rooms. In this letter, a model…
Ambisonics is a spatial audio format describing a sound field. First-order Ambisonics (FOA) is a popular format comprising only four channels. This limited channel count comes at the expense of spatial accuracy. Ideally one would be able to…
This paper presents the 3D soundfield synthesis of the pressure field radiated by directional acoustic sources using both the multimodal method and higher-order ambisonics (HOA). Ambisonics is a technique for encoding and reproducing…
Ambisonics Signal Matching (ASM) is a recently proposed signal-independent approach to encoding Ambisonic signal from wearable microphone arrays, enabling efficient and standardized spatial sound reproduction. However, reproduction accuracy…
Personalized binaural audio reproduction is the basis of realistic spatial localization, sound externalization, and immersive listening, directly shaping user experience and listening effort. This survey reviews recent advances in deep…
Scene-based spatial audio formats, such as Ambisonics, are playback system agnostic and may therefore be favoured for delivering immersive audio experiences to a wide range of (potentially unknown) devices. The number of channels required…
The field of sonification, using of non-speech audio for data analysis, is already established in space sciences. Meetings like "The audible Universe" focus on sonification tools applied in astronomy to represent complex data like nebulae…
Binaural audio provides human listeners with an immersive spatial sound experience, but most existing videos lack binaural audio recordings. We propose an audio spatialization method that draws on visual information in videos to convert…
Beamforming is a signal processing technique. It has been studied in many areas such as radar, sonar, seismology and wireless communications, to name but a few. It can be used for a myriad of purposes, such as detecting the presence of a…
Disentangling and recovering physical attributes, such as shape and material, from a few waveform examples is a challenging inverse problem in audio signal processing, with numerous applications in musical acoustics as well as structural…
We describe a new method for estimating the degree of "transientness" and "tonality" of a class of compound signals involving simultaneously transient and harmonic features. The key assumption is that both transient and tonal layers admit…
The paper presents a unified, flexible framework for the tasks of audio inpainting, declipping, and dequantization. The concept is further extended to cover analogous degradation models in a transformed domain, e.g. quantization of the…
Humans can robustly recognize and localize objects by integrating visual and auditory cues. While machines are able to do the same now with images, less work has been done with sounds. This work develops an approach for dense semantic…