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We present PANDORA, a novel diffusion-based policy learning framework designed specifically for dexterous robotic piano performance. Our approach employs a conditional U-Net architecture enhanced with FiLM-based global conditioning, which…

机器学习 · 计算机科学 2025-03-20 Yanjia Huang , Renjie Li , Zhengzhong Tu

Existing music generation models are mostly language-based, neglecting the frequency continuity property of notes, resulting in inadequate fitting of rare or never-used notes and thus reducing the diversity of generated samples. We argue…

声音 · 计算机科学 2024-08-06 Shipei Liu , Xiaoya Fan , Guowei Wu

Given a musical audio recording, the goal of automatic music transcription is to determine a score-like representation of the piece underlying the recording. Despite significant interest within the research community, several studies have…

声音 · 计算机科学 2016-09-05 Sebastian Ewert , Mark Sandler

We present a lightweight latent diffusion model for vocal-conditioned musical accompaniment generation that addresses critical limitations in existing music AI systems. Our approach introduces a novel soft alignment attention mechanism that…

声音 · 计算机科学 2026-01-06 Hei Shing Cheung , Boya Zhang , Jonathan H. Chan

Piano playing requires agile, precise, and coordinated hand control that stretches the limits of dexterity. Hand motion models with the sophistication to accurately recreate piano playing have a wide range of applications in character…

图形学 · 计算机科学 2024-10-10 Ruocheng Wang , Pei Xu , Haochen Shi , Elizabeth Schumann , C. Karen Liu

In the domain of algorithmic music composition, machine learning-driven systems eliminate the need for carefully hand-crafting rules for composition. In particular, the capability of recurrent neural networks to learn complex temporal…

声音 · 计算机科学 2019-03-05 Harish Kumar , Balaraman Ravindran

We propose a timbre conversion model based on the Diffusion architecture de-signed to precisely translate music played by various instruments into piano ver-sions. The model employs a Pitch Encoder and Loudness Encoder to extract pitch and…

Automating the synthesis of coordinated bimanual piano performances poses significant challenges, particularly in capturing the intricate choreography between the hands while preserving their distinct kinematic signatures. In this paper, we…

声音 · 计算机科学 2025-09-05 Zihao Liu , Mingwen Ou , Zunnan Xu , Jiaqi Huang , Haonan Han , Ronghui Li , Xiu Li

Algorithms for automatic piano transcription have improved dramatically in recent years due to new datasets and modeling techniques. Recent developments have focused primarily on adapting new neural network architectures, such as the…

声音 · 计算机科学 2024-02-05 Drew Edwards , Simon Dixon , Emmanouil Benetos , Akira Maezawa , Yuta Kusaka

Existing state-of-the-art symbolic music generation models predominantly adopt autoregressive or hierarchical autoregressive architectures, modelling symbolic music as a sequence of attribute tokens with unidirectional temporal…

声音 · 计算机科学 2025-08-29 Hongju Su , Ke Li , Lan Yang , Honggang Zhang , Yi-Zhe Song

Emotions are fundamental to the creation and perception of music performances. However, achieving human-like expression and emotion through machine learning models for performance rendering remains a challenging task. In this work, we…

声音 · 计算机科学 2025-11-06 Ilya Borovik , Dmitrii Gavrilev , Vladimir Viro

Diffusion models have been widely used in the generative domain due to their convincing performance in modeling complex data distributions. Moreover, they have shown competitive results on discriminative tasks, such as image segmentation.…

声音 · 计算机科学 2025-01-14 Hounsu Kim , Taegyun Kwon , Juhan Nam

Automatic Music Transcription (AMT) -- the task of converting music audio into note representations -- has seen rapid progress, driven largely by deep learning systems. Due to the limited availability of richly annotated music datasets,…

声音 · 计算机科学 2026-01-27 Lukáš Samuel Marták , Patricia Hu , Gerhard Widmer

I present the generation and analysis of the largest known open-source corpus of playable piano chords (approximately 19.3 million entries). This dataset enumerates the two-handed search space subject to biomechanical constraints (two…

声音 · 计算机科学 2026-04-01 Mahesh Ramani

The quality of the text-to-music models has reached new heights due to recent advancements in diffusion models. The controllability of various musical aspects, however, has barely been explored. In this paper, we propose Mustango: a…

音频与语音处理 · 电气工程与系统科学 2025-06-18 Jan Melechovsky , Zixun Guo , Deepanway Ghosal , Navonil Majumder , Dorien Herremans , Soujanya Poria

AI-based persona simulation -- often referred to as digital twin simulation -- is increasingly used for market research, recommender systems, and social sciences. Despite their flexibility, large language models (LLMs) often exhibit…

机器学习 · 计算机科学 2026-04-10 Grace Jiarui Fan , Chengpiao Huang , Tianyi Peng , Kaizheng Wang , Yuhang Wu

Capturing intricate and subtle variations in human expressiveness in music performance using computational approaches is challenging. In this paper, we propose a novel approach for reconstructing human expressiveness in piano performance…

声音 · 计算机科学 2023-10-03 Jingjing Tang , Geraint Wiggins , Gyorgy Fazekas

Despite its potential, AI advances in music education are hindered by proprietary systems that limit the democratization of technology in this domain. In particular, AI-driven music difficulty adjustment is especially promising, as…

声音 · 计算机科学 2025-11-25 Pedro Ramoneda , Emilia Parada-Cabaleiro , Dasaem Jeong , Xavier Serra

While generative models for music composition are increasingly capable, their adoption by musicians is hindered by text-prompting, an asynchronous workflow disconnected from the embodied, responsive nature of instrumental performance. To…

声音 · 计算机科学 2025-11-04 Louis Bradshaw , Alexander Spangher , Stella Biderman , Simon Colton

We are interested in the task of generating multi-instrumental music scores. The Transformer architecture has recently shown great promise for the task of piano score generation; here we adapt it to the multi-instrumental setting.…

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