相关论文: Understanding Frechet Speech Distance for Syntheti…
We propose the Fr\'echet Audio Distance (FAD), a novel, reference-free evaluation metric for music enhancement algorithms. We demonstrate how typical evaluation metrics for speech enhancement and blind source separation can fail to…
This paper explores whether considering alternative domain-specific embeddings to calculate the Fr\'echet Audio Distance (FAD) metric can help the FAD to correlate better with perceptual ratings of environmental sounds. We used embeddings…
Word Error Rate (WER) has been the predominant metric used to evaluate the performance of automatic speech recognition (ASR) systems. However, WER is sometimes not a good indicator for downstream Natural Language Understanding (NLU) tasks,…
The growing popularity of generative music models underlines the need for perceptually relevant, objective music quality metrics. The Frechet Audio Distance (FAD) is commonly used for this purpose even though its correlation with perceptual…
Although being widely adopted for evaluating generated audio signals, the Fr\'echet Audio Distance (FAD) suffers from significant limitations, including reliance on Gaussian assumptions, sensitivity to sample size, and high computational…
The growing sophistication of speech generated by Artificial Intelligence (AI) has introduced new challenges in audio deepfake detection. Text-to-speech (TTS) and voice conversion (VC) technologies can create highly convincing synthetic…
Modern speech synthesis systems have improved significantly, with synthetic speech being indistinguishable from real speech. However, efficient and holistic evaluation of synthetic speech still remains a significant challenge. Human…
Many recently published Text-to-Speech (TTS) systems produce audio close to real speech. However, TTS evaluation needs to be revisited to make sense of the results obtained with the new architectures, approaches and datasets. We propose…
In this paper we introduce the Frechet Music Distance (FMD), a novel evaluation metric for generative symbolic music models, inspired by the Frechet Inception Distance (FID) in computer vision and Frechet Audio Distance (FAD) in generative…
This paper proposes a speech rhythm-based method for speaker embeddings to model phoneme duration using a few utterances by the target speaker. Speech rhythm is one of the essential factors among speaker characteristics, along with acoustic…
Despite recent advances, synthetic voices often lack expressiveness due to limited prosody control in commercial text-to-speech (TTS) systems. We introduce the first end-to-end pipeline that inserts Speech Synthesis Markup Language (SSML)…
Evaluation of musical source separation (MSS) has traditionally relied on Blind Source Separation Evaluation (BSS-Eval) metrics. However, recent work suggests that BSS-Eval metrics exhibit low correlation between metrics and perceptual…
Recent diffusion-based text-to-speech (TTS) models achieve high naturalness and expressiveness, yet often suffer from speaker drift, a subtle, gradual shift in perceived speaker identity within a single utterance. This underexplored…
Recent advances in generative language modeling applied to discrete speech tokens presented a new avenue for text-to-speech (TTS) synthesis. These speech language models (SLMs), similarly to their textual counterparts, are scalable,…
Speech synthesis is an important practical generative modeling problem that has seen great progress over the last few years, with likelihood-based autoregressive neural models now outperforming traditional concatenative systems. A downside…
Current synthetic speech detection (SSD) methods perform well on certain datasets but still face issues of robustness and interpretability. A possible reason is that these methods do not analyze the deficiencies of synthetic speech. In this…
Recent work in the domain of speech enhancement has explored the use of self-supervised speech representations to aid in the training of neural speech enhancement models. However, much of this work focuses on using the deepest or final…
The problem of synthetic speech detection has enjoyed considerable attention, with recent methods achieving low error rates across several established benchmarks. However, to what extent can low error rates on academic benchmarks translate…
While modern Text-to-Speech (TTS) systems can produce natural-sounding speech, they remain unable to reproduce the full diversity found in natural speech data. We consider the distribution of all possible real speech samples that could be…
Measuring automatic speech recognition (ASR) system quality is critical for creating user-satisfying voice-driven applications. Word Error Rate (WER) has been traditionally used to evaluate ASR system quality; however, it sometimes…