相关论文: DeePAQ: A Perceptual Audio Quality Metric Based On…

Subjective evaluations are critical for assessing the perceptual realism of sounds in audio-synthesis driven technologies like augmented and virtual reality. However, they are challenging to set up, fatiguing for users, and expensive. In…

The deep learning revolution has strongly impacted low-level image processing tasks such as style/domain transfer, enhancement/restoration, and visual quality assessments. Despite often being treated separately, the aforementioned tasks…

Deep generative modeling has the potential to cause significant harm to society. Recognizing this threat, a magnitude of research into detecting so-called "Deepfakes" has emerged. This research most often focuses on the image domain, while…

Effectively steering hearable devices requires understanding the acoustic environment around the user. In the computational analysis of sound scenes, foundation models have emerged as the state of the art to produce high-performance,…

While large audio-language models have advanced open-ended audio understanding, they still fall short of nuanced human-level comprehension. This gap persists largely because current benchmarks, limited by data annotations and evaluation…

Research into the prediction and analysis of perceived audio quality is hampered by the scarcity of openly available datasets of audio signals accompanied by corresponding subjective quality scores. To address this problem, we present the…

We introduce a Depicted image Quality Assessment method (DepictQA), overcoming the constraints of traditional score-based methods. DepictQA allows for detailed, language-based, human-like evaluation of image quality by leveraging…

We present a framework to model the perceived quality of audio signals by combining convolutional architectures, with ideas from classical signal processing, and describe an approach to enhancing perceived acoustical quality. We demonstrate…

Existing methods on audio-visual deepfake detection mainly focus on high-level features for modeling inconsistencies between audio and visual data. As a result, these approaches usually overlook finer audio-visual artifacts, which are…

Distributional metrics such as Fr\'echet Audio Distance cannot score individual music clips and correlate poorly with human judgments, while the only per-sample learned metric achieving high human correlation is closed-source. We introduce…

Recent Audio Multimodal Large Language Models (Audio MLLMs) demonstrate impressive performance on speech benchmarks, yet it remains unclear whether these models genuinely process acoustic signals or rely on text-based semantic inference. To…

Audio impairment recognition is based on finding noise in audio files and categorising the impairment type. Recently, significant performance improvement has been obtained thanks to the usage of advanced deep learning models. However,…

Speech deepfake detection has achieved remarkable success in clean environments but faces significant challenges in complex, real-world scenarios where speech is often mixed with background music or noise. Current state-of-the-art methods…

In this paper, we propose a deep learning based system for the task of deepfake audio detection. In particular, the draw input audio is first transformed into various spectrograms using three transformation methods of Short-time Fourier…

PESQ and POLQA , are standards are standards for automated assessment of voice quality of speech as experienced by human beings. The predictions of those objective measures should come as close as possible to subjective quality scores as…

Many applications of speech technology require more and more audio data. Automatic assessment of the quality of the collected recordings is important to ensure they meet the requirements of the related applications. However, effective and…

Image quality assessment (IQA) continues to garner great interest in the research community, particularly given the tremendous rise in consumer video capture and streaming. Despite significant research effort in IQA in the past few decades,…

With increasing amounts of music being digitally transferred from production to distribution, automatic means of determining media quality are needed. Protection mechanisms in digital audio processing tools have not eliminated the need of…

Inspired by the recent progress in self-supervised learning for computer vision, in this paper we introduce DeLoRes, a new general-purpose audio representation learning approach. Our main objective is to make our network learn…

Eurich et al. (2024) recently introduced the computationally efficient monaural and binaural audio quality model (eMoBi-Q). This model integrates both monaural and binaural auditory features and has been validated across six audio datasets…