相关论文: Music Era Recognition Using Supervised Contrastive…

Nowadays, humans are constantly exposed to music, whether through voluntary streaming services or incidental encounters during commercial breaks. Despite the abundance of music, certain pieces remain more memorable and often gain greater…

Self-supervised methods have emerged as a promising avenue for representation learning in the recent years since they alleviate the need for labeled datasets, which are scarce and expensive to acquire. Contrastive methods are a popular…

A range of applications of multi-modal music information retrieval is centred around the problem of connecting large collections of sheet music (images) to corresponding audio recordings, that is, identifying pairs of audio and score…

Multimodal learning aims to imitate human beings to acquire complementary information from multiple modalities for various downstream tasks. However, traditional aggregation-based multimodal fusion methods ignore the inter-modality…

In this work, we study music/video cross-modal recommendation, i.e. recommending a music track for a video or vice versa. We rely on a self-supervised learning paradigm to learn from a large amount of unlabelled data. We rely on a…

Optical Music Recognition (OMR) is an important technology within Music Information Retrieval. Deep learning models show promising results on OMR tasks, but symbol-level annotated data sets of sufficient size to train such models are not…

The availability of large, unlabeled datasets across various domains has contributed to the development of a plethora of methods that learn representations for multiple target (downstream) tasks through self-supervised pre-training. In this…

We present Music Tagging Transformer that is trained with a semi-supervised approach. The proposed model captures local acoustic characteristics in shallow convolutional layers, then temporally summarizes the sequence of the extracted…

As the accessibility and ease-of-use of digital audio workstations increases, so does the quantity of music available to the average listener; additionally, differences between genres are not always well defined and can be abstract, with…

Machine hearing or listening represents an emerging area. Conventional approaches rely on the design of handcrafted features specialized to a specific audio task and that can hardly generalized to other audio fields. For example,…

There is a natural correlation between the visual and auditive elements of a video. In this work we leverage this connection to learn general and effective models for both audio and video analysis from self-supervised temporal…

We study cross-modal recommendation of music tracks to be used as soundtracks for videos. This problem is known as the music supervision task. We build on a self-supervised system that learns a content association between music and video.…

Audiovisual representation learning typically relies on the correspondence between sight and sound. However, there are often multiple audio tracks that can correspond with a visual scene. Consider, for example, different conversations on…

At present, neural network-based models, including transformers, struggle to generate memorable and readily comprehensible music from unified and repetitive musical material due to a lack of understanding of musical structure. Consequently,…

Prior approaches to lead instrument detection primarily analyze mixture audio, limited to coarse classifications and lacking generalization ability. This paper presents a novel approach to lead instrument detection in multitrack music audio…

The rise of video-sharing platforms has attracted more and more people to shoot videos and upload them to the Internet. These videos mostly contain a carefully-edited background audio track, where serious speech change, pitch shifting and…

Humans can easily perceive the direction of sound sources in a visual scene, termed sound source localization. Recent studies on learning-based sound source localization have mainly explored the problem from a localization perspective.…

Multimodal models are critical for music understanding tasks, as they capture the complex interplay between audio and lyrics. However, as these models become more prevalent, the need for explainability grows-understanding how these systems…

A music piece is both comprehended hierarchically, from sonic events to melodies, and sequentially, in the form of repetition and variation. Music from different cultures establish different aesthetics by having different style conventions…

Machine hearing of the environmental sound is one of the important issues in the audio recognition domain. It gives the machine the ability to discriminate between the different input sounds that guides its decision making. In this work we…