gSeaGen: the KM3NeT GENIE-based code for neutrino telescopes
Instrumentation and Methods for Astrophysics
2020-07-22 v1
Abstract
The gSeaGen code is a GENIE-based application developed to efficiently generate high statistics samples of events, induced by neutrino interactions, detectable in a neutrino telescope. The gSeaGen code is able to generate events induced by all neutrino flavours, considering topological differences between track-type and shower-like events. Neutrino interactions are simulated taking into account the density and the composition of the media surrounding the detector. The main features of gSeaGen are presented together with some examples of its application within the KM3NeT project.
Cite
@article{arxiv.2003.14040,
title = {gSeaGen: the KM3NeT GENIE-based code for neutrino telescopes},
author = {Sebastiano Aiello and Arnauld Albert and Sergio Alves Garre and Zineb Aly and Fabrizio Ameli and Michel Andre and Giorgos Androulakis and Marco Anghinolfi and Mancia Anguita and Gisela Anton and Miquel Ardid and Julien Aublin and Christos Bagatelas and Giancarlo Barbarino and Bruny Baret and Suzan Basegmez du Pree and Meriem Bendahman and Edward Berbee and Vincent Bertin and Simone Biagi and Andrea Biagioni and Matthias Bissinger and Markus Boettcher and Jihad Boumaaza and Simon Bourret and Mohammed Bouta and Mieke Bouwhuis and Cristiano Bozza and Horea Branzas and Marc Bruchner and Ronald Bruijn and Jürgen Brunner and Ernst-Jan Buis and Raffaele Buompane and Jose Busto and David Calvo and Antonio Capone and Víctor Carretero and Paolo Castaldi and Silvia Celli and Mohamed Chabab and Nhan Chau and Andrew Chen and Silvio Cherubini and Vitaliano Chiarella and Tommaso Chiarusi and Marco Circella and Rosanna Cocimano and Joao Coelho and Alexis Coleiro and Marta Colomer Molla and Rosa Coniglione and Imanol Corredoira and Paschal Coyle and Alexandre Creusot and Giacomo Cuttone and Antonio D'Onofrio and Richard Dallier and Maarten de Jong and Paul de Jong and Mauro De Palma and Gwenhaël de Wasseige and Els de Wolf and Irene Di Palma and Antonio Diaz and Dídac Diego-Tortosa and Carla Distefano and Alba Domi and Roberto Donà and Corinne Donzaud and Damien Dornic and Manuel Dörr and Doriane Drouhin and Mora Durocher and Thomas Eberl and Imad El Bojaddaini and Dominik Elsaesser and Alexander Enzenhöfer and Paolo Fermani and Giovanna Ferrara and Miroslav Filipovic and Francesco Filippini and Antonio Franco and Luigi Antonio Fusco and Omar Gabella and Tamas Gal and Alfonso Andres Garcia Soto and Fabio Garufi and Yoann Gatelet and Nicole Geißelbrecht and Lucio Gialanella and Emidio Giorgio and Sara Rebecca Gozzini and Rodrigo Gracia and Kay Graf and Dario Grasso and Timothée Grégoire and Giuseppe Grella and Carlo Guidi and Steffen Hallmann and Hassane Hamdaoui and Aart Heijboer and Amar Hekalo and Juan-Jose Hernandez-Rey and Jannik Hofestädt and Walid Idrissi Ibnsalih and Giulia Illuminati and Clancy James and Bouke Jisse Jung and Matthias Kadler and Piotr Kalaczyński and Oleg Kalekin and Uli Katz and Nafis Rezwan Khan Chowdhury and Els Koffeman and Paul Kooijman and Antoine Kouchner and Michael Kreter and Vladimir Kulikovskiy and Robert Lahmann and Giuseppina Larosa and Remy Le Breton and Ornella Leonardi and Francesco Leone and Emanuele Leonora and Giuseppe Levi and Massimiliano Lincetto and Miles Lindsey Clark and Thomas Lipreau and Alessandro Lonardo and Fabio Longhitano and Daniel Lopez Coto and Jerzy Mańczak and Karl Mannheim and Annarita Margiotta and Antonio Marinelli and Christos Markou and Lilian Martin and Juan Antonio Martínez-Mora and Agnese Martini and Fabio Marzaioli and Stefano Mastroianni and Safaa Mazzou and Karel Melis and Gennaro Miele and Pasquale Migliozzi and Emilio Migneco and Piotr Mijakowski and Luis Salvador Miranda Palacios and Zurab Modebadze and Carlos Maximiliano Mollo and Mauro Morganti and Michael Moser and Abdelilah Moussa and Rasa Muller and Mario Musumeci and Lodewijk Nauta and Sergio Navas and Carlo Alessandro Nicolau and Brían Ó Fearraigh and Mukharbek Organokov and Angelo Orlando and Gogita Papalashvili and Riccardo Papaleo and Cosimo Pastore and Alice Paun and Gabriela Emilia Pavalas and Carmelo Pellegrino and Mathieu Perrin-Terrin and Paolo Piattelli and Camiel Pieterse and Konstantinos Pikounis and Ofelia Pisanti and Chiara Poirè and Vlad Popa and Maarten Post and Thierry Pradier and Gerd Pühlhofer and Sara Pulvirenti and Liam Quinn and Omphile Rabyang and Fabrizio Raffaelli and Nunzio Randazzo and Antonio Rapicavoli and Soebur Razzaque and Diego Real and Stefan Reck and Jonas Reubelt and Giorgio Riccobene and Marc Richer and Stephane Rivoire and Alberto Rovelli and Francisco Salesa Greus and Dorothea Franziska Elisabeth Samtleben and Agustín Sánchez Losa and Matteo Sanguineti and Andrea Santangelo and Domenico Santonocito and Piera Sapienza and Jutta Schnabel and Virginia Sciacca and Jordan Seneca and Irene Sgura and Rezo Shanidze and Ankur Sharma and Francesco Simeone and Anna Sinopoulou and Bernardino Spisso and Maurizio Spurio and Dimitris Stavropoulos and Jos Steijger and Simona Maria Stellacci and Mauro Taiuti and Yahya Tayalati and Enrique Tenllado and Tarak Thakore and Steven Tingay and Ekaterini Tzamariudaki and Dimitrios Tzanetatos and Ad van den Berg and Frits van der Knaap and Daan van Eijk and Véronique Van Elewyck and Godefroy Vannoye and George Vasileiadis and Federico Versari and Salvatore Viola and Daniele Vivolo and Joern Wilms and Rafał Wojaczyński and Dmitry Zaborov and Sandra Zavatarelli and Angela Zegarelli and Juan-de-Dios Zornoza and Juan Zúñiga and Natalia Zywucka},
journal= {arXiv preprint arXiv:2003.14040},
year = {2020}
}
Comments
45 pages, 10 figures