My research-creation process coincides with the encounter with the ''digital paradigm'' and the attempt to incorporate it into the foundation of my scenic writing. I propose in this paper to give an account from a director point of view of how I realized my shows between 2000 and 2007 and which researches influenced the process. I will formulate some remarks on the fragilities that can arise in a ''technological laboratory of staging''.
@article{arxiv.2303.09123,
title = {Emergence and fragility of a research-creation (2000-2007)},
author = {Georges Gagneré},
journal= {arXiv preprint arXiv:2303.09123},
year = {2023}
}