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Deep learning models define the state-of-the-art in Automatic Drum Transcription (ADT), yet their performance is contingent upon large-scale, paired audio-MIDI datasets, which are scarce. Existing workarounds that use synthetic data often…

Sound · Computer Science 2026-01-15 Pierfrancesco Melucci , Paolo Merialdo , Taketo Akama

As Artificial Intelligence (AI) technologies continue to evolve, their use in generating realistic, contextually appropriate content has expanded into various domains. Music, an art form and medium for entertainment, deeply rooted into…

Sound · Computer Science 2024-12-11 Yupei Li , Manuel Milling , Lucia Specia , Björn W. Schuller

Extracting pitch information from music recordings is a challenging but important problem in music signal processing. Frame-wise transcription or multi-pitch estimation aims for detecting the simultaneous activity of pitches in polyphonic…

Sound · Computer Science 2022-02-21 Christof Weiß , Geoffroy Peeters

Automatic Chord Estimation (ACE) is a fundamental task in Music Information Retrieval (MIR) and has applications in both music performance and MIR research. The task consists of segmenting a music recording or score and assigning a chord…

Sound · Computer Science 2020-02-25 Daphne Odekerken , Hendrik Vincent Koops , Anja Volk

Automated audio captioning (AAC) aims to generate informative descriptions for various sounds from nature and/or human activities. In recent years, AAC has quickly attracted research interest, with state-of-the-art systems now relying on a…

Personalized recommendation on new track releases has always been a challenging problem in the music industry. To combat this problem, we first explore user listening history and demographics to construct a user embedding representing the…

Sound · Computer Science 2021-03-31 Ke Chen , Beici Liang , Xiaoshuan Ma , Minwei Gu

Pitch is a fundamental aspect of auditory perception. Pitch perception is commonly described across two perceptual dimensions: pitch height is the sense that tones with varying frequencies seem to be higher or lower, and chroma equivalence…

Sound · Computer Science 2026-02-24 Lukas Grasse , Matthew S. Tata

Generative artificial intelligence models can be a valuable aid to music composition and live performance, both to aid the professional musician and to help democratize the music creation process for hobbyists. Here we present a novel…

Sound · Computer Science 2022-09-22 Ignacio J. Tripodi

Music emotion recognition is an important task in MIR (Music Information Retrieval) research. Owing to factors like the subjective nature of the task and the variation of emotional cues between musical genres, there are still significant…

Sound · Computer Science 2021-06-17 Shreyan Chowdhury , Verena Praher , Gerhard Widmer

Real music signals are highly variable, yet they have strong statistical structure. Prior information about the underlying physical mechanisms by which sounds are generated and rules by which complex sound structure is constructed (notes,…

Machine Learning · Statistics 2016-06-13 Pablo A. Alvarado , Dan Stowell

The task of efficient automatic music classification is of vital importance and forms the basis for various advanced applications of AI in the musical domain. Musical instrument recognition is the task of instrument identification by virtue…

Sound · Computer Science 2026-05-20 Saranga Kingkor Mahanta , Abdullah Faiz Ur Rahman Khilji , Partha Pakray

Question-answering (QA) is a natural approach for humans to understand a piece of music audio. However, for machines, accessing a large-scale dataset covering diverse aspects of music is crucial, yet challenging, due to the scarcity of…

Sound · Computer Science 2025-08-28 Zhihao Ouyang , Ju-Chiang Wang , Daiyu Zhang , Bin Chen , Shangjie Li , Quan Lin

Music Information Retrieval (MIR) encompasses a broad range of computational techniques for analyzing and understanding musical content, with recent deep learning advances driving substantial improvements. Building upon these advances, this…

Sound · Computer Science 2025-09-24 Chih-Cheng Chang , Bo-Yu Chen , Lu-Rong Chen , Li Su

Audio Chord Estimation (ACE) holds a pivotal role in music information research, having garnered attention for over two decades due to its relevance for music transcription and analysis. Despite notable advancements, challenges persist in…

Sound · Computer Science 2025-09-03 Andrea Poltronieri , Xavier Serra , Martín Rocamora

Realistic music generation is a challenging task. When building generative models of music that are learnt from data, typically high-level representations such as scores or MIDI are used that abstract away the idiosyncrasies of a particular…

Sound · Computer Science 2018-06-28 Sander Dieleman , Aäron van den Oord , Karen Simonyan

Pronounced as "musician", the musicnn library contains a set of pre-trained musically motivated convolutional neural networks for music audio tagging: https://github.com/jordipons/musicnn. This repository also includes some pre-trained…

Sound · Computer Science 2019-09-17 Jordi Pons , Xavier Serra

In this paper, the dataset used for the data challenge organised by Conference on Sound and Music Technology (CSMT) is introduced. The CSMT data challenge requires participants to identify whether a given piece of melody is generated by…

Sound · Computer Science 2021-12-02 Shengchen Li , Yinji Jing , György Fazekas

Music segmentation refers to the dual problem of identifying boundaries between, and labeling, distinct music segments, e.g., the chorus, verse, bridge etc. in popular music. The performance of a range of music segmentation algorithms has…

Sound · Computer Science 2021-08-31 Matthew C. McCallum

This work present a music dataset named MusicTM-Dataset, which is utilized in improving the representation learning ability of different types of cross-modal retrieval (CMR). Little large music dataset including three modalities is…

Sound · Computer Science 2021-05-10 Donghuo Zeng , Yi Yu , Keizo Oyama

With the rapid advancement of generative audio models, distinguishing between human-composed and generated music is becoming increasingly challenging. As a response, models for detecting fake music have been proposed. In this work, we…

Sound · Computer Science 2025-07-15 Tomasz Sroka , Tomasz Wężowicz , Dominik Sidorczuk , Mateusz Modrzejewski