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A commonly-cited reason for the poor performance of automatic chord estimation (ACE) systems within music information retrieval (MIR) is that non-chord tones (i.e., notes outside the supporting harmony) contribute to error during the…

Sound · Computer Science 2021-05-13 Tianxue Hu , Claire Arthur

We explore frame-level audio feature learning for chord recognition using artificial neural networks. We present the argument that chroma vectors potentially hold enough information to model harmonic content of audio for chord recognition,…

Sound · Computer Science 2016-12-16 Filip Korzeniowski , Gerhard Widmer

Automatic drum transcription is a critical tool in Music Information Retrieval for extracting and analyzing the rhythm of a music track, but it is limited by the size of the datasets available for training. A popular method used to increase…

Sound · Computer Science 2024-07-30 Mickaël Zehren , Marco Alunno , Paolo Bientinesi

Conditional music generation offers significant advantages in terms of user convenience and control, presenting great potential in AI-generated content research. However, building conditional generative systems for multitrack popular songs…

Sound · Computer Science 2025-10-27 Jing Luo , Xinyu Yang , Dorien Herremans

Chord recognition systems typically comprise an acoustic model that predicts chords for each audio frame, and a temporal model that casts these predictions into labelled chord segments. However, temporal models have been shown to only…

Sound · Computer Science 2018-08-17 Filip Korzeniowski , Gerhard Widmer

Most current music source separation (MSS) methods rely on supervised learning, limited by training data quantity and quality. Though web-crawling can bring abundant data, platform-level track labeling often causes metadata mismatches,…

Sound · Computer Science 2025-10-13 Ji Yu , Yang shuo , Xu Yuetonghui , Liu Mengmei , Ji Qiang , Han Zerui

Automatic transcription of acoustic guitar fingerpicking performances remains a challenging task due to the scarcity of labeled training data and legal constraints connected with musical recordings. This work investigates a procedural data…

Sound · Computer Science 2025-08-12 Sebastian Murgul , Michael Heizmann

Music genre classification is an area that utilizes machine learning models and techniques for the processing of audio signals, in which applications range from content recommendation systems to music recommendation systems. In this…

Sound · Computer Science 2024-05-27 Keoikantse Mogonediwa

Sequence modeling with neural networks has lead to powerful models of symbolic music data. We address the problem of exploiting these models to reach creative musical goals, by combining with human input. To this end we generalise previous…

Artificial Intelligence · Computer Science 2017-10-03 Christian Walder , Dongwoo Kim

Several prior works have proposed various methods for the task of automatic melody harmonization, in which a model aims to generate a sequence of chords to serve as the harmonic accompaniment of a given multiple-bar melody sequence. In this…

Pattern discovery algorithms in the music domain aim to find meaningful components in musical compositions. Over the years, although many algorithms have been developed for pattern discovery in music data, it remains a challenging task. To…

Sound · Computer Science 2020-10-26 Iris Ren , Anja Volk , Wouter Swierstra , Remco C. Veltkamp

In recent years, artificial neural networks (ANNs) have become a universal tool for tackling real-world problems. ANNs have also shown great success in music-related tasks including music summarization and classification, similarity…

Sound · Computer Science 2020-01-08 Stefan Lattner

Existing automatic music generation approaches that feature deep learning can be broadly classified into two types: raw audio models and symbolic models. Symbolic models, which train and generate at the note level, are currently the more…

Sound · Computer Science 2018-06-27 Rachel Manzelli , Vijay Thakkar , Ali Siahkamari , Brian Kulis

Large deep-learning models for music, including those focused on learning general-purpose music audio representations, are often assumed to require substantial training data to achieve high performance. If true, this would pose challenges…

Sound · Computer Science 2025-05-12 Christos Plachouras , Emmanouil Benetos , Johan Pauwels

Algorithmic music composition is a way of composing musical pieces with minimal to no human intervention. While recurrent neural networks are traditionally applied to many sequence-to-sequence prediction tasks, including successful…

Machine Learning · Computer Science 2022-11-03 Moseli Mots'oehli , Anna Sergeevna Bosman , Johan Pieter De Villiers

Progress in automatic chord recognition has been slow since the advent of deep learning in the field. To understand why, I conduct experiments on existing methods and test hypotheses enabled by recent developments in generative models.…

Sound · Computer Science 2025-12-30 Pierre Mackenzie

Automatic transcription of guitar strumming is an underrepresented and challenging task in Music Information Retrieval (MIR), particularly for extracting both strumming directions and chord progressions from audio signals. While existing…

Sound · Computer Science 2025-08-12 Sebastian Murgul , Johannes Schimper , Michael Heizmann

In recent years, machine learning, and in particular generative adversarial neural networks (GANs) and attention-based neural networks (transformers), have been successfully used to compose and generate music, both melodies and polyphonic…

In this study an Artificial Neural Network was trained to classify musical instruments, using audio samples transformed to the frequency domain. Different features of the sound, in both time and frequency domain, were analyzed and compared…

Sound · Computer Science 2017-05-16 Babak Toghiani-Rizi , Marcus Windmark

When songs are composed or performed, there is often an intent by the singer/songwriter of expressing feelings or emotions through it. For humans, matching the emotiveness in a musical composition or performance with the subjective…