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Music annotation has always been one of the critical topics in the field of Music Information Retrieval (MIR). Traditional models use supervised learning for music annotation tasks. However, as supervised machine learning approaches…
This work introduces Text2FX, a method that leverages CLAP embeddings and differentiable digital signal processing to control audio effects, such as equalization and reverberation, using open-vocabulary natural language prompts (e.g., "make…
This paper presents a new voice conversion model capable of transforming both speaking and singing voices. It addresses key challenges in current systems, such as conveying emotions, managing pronunciation and accent changes, and…
Finding the right sound effects (SFX) to match moments in a video is a difficult and time-consuming task, and relies heavily on the quality and completeness of text metadata. Retrieving high-quality (HQ) SFX using a video frame directly as…
Music learners can greatly benefit from tools that accurately detect errors in their practice. Existing approaches typically compare audio recordings to music scores using heuristics or learnable models. This paper introduces LadderSym, a…
Learning high-quality video representation has shown significant applications in computer vision and remains challenging. Previous work based on mask autoencoders such as ImageMAE and VideoMAE has proven the effectiveness of learning…
We introduce a monaural neural speaker embeddings extractor that computes an embedding for each speaker present in a speech mixture. To allow for supervised training, a teacher-student approach is employed: the teacher computes the target…
With increasing amounts of music being digitally transferred from production to distribution, automatic means of determining media quality are needed. Protection mechanisms in digital audio processing tools have not eliminated the need of…
This paper proposes a novel framework for unsupervised audio source separation using a deep autoencoder. The characteristics of unknown source signals mixed in the mixed input is automatically by properly configured autoencoders implemented…
Recent advancements in pattern recognition and signal processing concern the automatic learning of data representations from labeled training samples. Typical approaches are based on deep learning and convolutional neural networks, which…
Spotting user-defined/flexible keywords represented in text frequently uses an expensive text encoder for joint analysis with an audio encoder in an embedding space, which can suffer from heterogeneous modality representation (i.e., large…
This paper presents a comprehensive investigation of existing feature extraction tools for symbolic music and contrasts their performance to determine the set of features that best characterizes the musical style of a given music score. In…
Audio embeddings enable large scale comparisons of the similarity of audio files for applications such as search and recommendation. Due to the subjectivity of audio similarity, it can be desirable to design systems that answer not only…
Audio-Language models jointly learn multimodal text and audio representations that enable Zero-Shot inference. Models rely on the encoders to create powerful representations of the input and generalize to multiple tasks ranging from sounds,…
Recently, MLP structures have regained popularity, with MLP-Mixer standing out as a prominent example. In the field of computer vision, MLP-Mixer is noted for its ability to extract data information from both channel and token perspectives,…
Mixing style transfer automates the generation of a multitrack mix for a given set of tracks by inferring production attributes from a reference song. However, existing systems for mixing style transfer are limited in that they often…
This paper presents an integrated system that transforms symbolic music scores into expressive piano performance audio. By combining a Transformer-based Expressive Performance Rendering (EPR) model with a fine-tuned neural MIDI synthesiser,…
Music source separation is the task of separating a mixture of instruments into constituent tracks. Music source separation models are typically trained using only audio data, although additional information can be used to improve the…
Today, there have been many achievements in learning the association between voice and face. However, most previous work models rely on cosine similarity or L2 distance to evaluate the likeness of voices and faces following contrastive…
In this paper, we introduce a simple method that can separate arbitrary musical instruments from an audio mixture. Given an unaligned MIDI transcription for a target instrument from an input mixture, we synthesize new mixtures from the midi…