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Most work on musical score models (a.k.a. musical language models) for music transcription has focused on describing the local sequential dependence of notes in musical scores and failed to capture their global repetitive structure, which…

Sound · Computer Science 2021-02-17 Eita Nakamura , Kazuyoshi Yoshii

Could we automatically derive the score of a piano accompaniment based on the audio of a pop song? This is the audio-to-symbolic arrangement problem we tackle in this paper. A good arrangement model should not only consider the audio…

Sound · Computer Science 2022-02-23 Ziyu Wang , Dejing Xu , Gus Xia , Ying Shan

In this paper, we propose a new compositional tool that will generate a musical outline of speech recorded/provided by the user for use as a musical building block in their compositions. The tool allows any user to use their own speech to…

Sound · Computer Science 2021-08-03 Jason d'Eon , Sri Harsha Dumpala , Chandramouli Shama Sastry , Dani Oore , Sageev Oore

This paper proposes a novel Transformer-based model for music score infilling, to generate a music passage that fills in the gap between given past and future contexts. While existing infilling approaches can generate a passage that…

Sound · Computer Science 2022-10-07 Chih-Pin Tan , Alvin W. Y. Su , Yi-Hsuan Yang

Music is an art, perceived in unique ways by every listener, coming from acoustic signals. In the meantime, standards as musical scores exist to describe it. Even if humans can make this transcription, it is costly in terms of time and…

Sound · Computer Science 2021-07-26 Axel Marmoret , Nancy Bertin , Jeremy Cohen

This study aims to enhance the quality of music generation using Transformers by incorporating meta-information. While Transformer-based approaches are effective at capturing long-term dependencies in musical compositions, the music they…

Sound · Computer Science 2026-05-21 Shinnosuke Taksuka , Hideo Mukai

Music scores are used to precisely store music pieces for transmission and preservation. To represent and manipulate these complex objects, various formats have been tailored for different use cases. While music notation follows specific…

Multimedia · Computer Science 2025-10-06 Géré Léo , Nicolas Audebert , Florent Jacquemard

Adapting learning materials to the level of skill of a student is important in education. In the context of music training, one essential ability is sight-reading -- playing unfamiliar scores at first sight -- which benefits from…

Sound · Computer Science 2025-09-23 Pedro Ramoneda , Masahiro Suzuki , Akira Maezawa , Xavier Serra

Lack of large-scale note-level labeled data is the major obstacle to singing transcription from polyphonic music. We address the issue by using pseudo labels from vocal pitch estimation models given unlabeled data. The proposed method first…

Audio and Speech Processing · Electrical Eng. & Systems 2022-03-31 Sangeun Kum , Jongpil Lee , Keunhyoung Luke Kim , Taehyoung Kim , Juhan Nam

Even with strong sequence models like Transformers, generating expressive piano performances with long-range musical structures remains challenging. Meanwhile, methods to compose well-structured melodies or lead sheets (melody + chords),…

Sound · Computer Science 2023-03-08 Shih-Lun Wu , Yi-Hsuan Yang

In this demo we show a novel approach to score following. Instead of relying on some symbolic representation, we are using a multi-modal convolutional neural network to match the incoming audio stream directly to sheet music images. This…

Sound · Computer Science 2016-12-16 Matthias Dorfer , Andreas Arzt , Sebastian Böck , Amaury Durand , Gerhard Widmer

In recent years, text-to-audio systems have achieved remarkable success, enabling the generation of complete audio segments directly from text descriptions. While these systems also facilitate music creation, the element of human creativity…

Sound · Computer Science 2025-04-15 Weixuan Yuan , Qadeer Khan , Vladimir Golkov

Expert musicians can mould a musical piece to convey specific emotions that they intend to communicate. In this paper, we place a mid-level features based music emotion model in this performer-to-listener communication scenario, and…

Sound · Computer Science 2023-03-06 Shreyan Chowdhury , Gerhard Widmer

In recent years, deep learning has achieved formidable results in creative computing. When it comes to music, one viable model for music generation are Transformer based models. However, while transformers models are popular for music…

Sound · Computer Science 2024-10-15 Gabriel Souza , Flavio Figueiredo , Alexei Machado , Deborah Guimarães

Discrete representation learning has shown promising results across various domains, including generation and understanding in image, speech and language. Inspired by these advances, we propose MuseTok, a tokenization method for symbolic…

Audio-to-score alignment is an important pre-processing step for in-depth analysis of classical music. In this paper, we apply novel transposition-invariant audio features to this task. These low-dimensional features represent local pitch…

Sound · Computer Science 2018-07-20 Andreas Arzt , Stefan Lattner

The goal of score following is to track a musical performance, usually in the form of audio, in a corresponding score representation. Established methods mainly rely on computer-readable scores in the form of MIDI or MusicXML and achieve…

Machine Learning · Computer Science 2019-10-17 Florian Henkel , Rainer Kelz , Gerhard Widmer

The utilization of deep learning techniques in generating various contents (such as image, text, etc.) has become a trend. Especially music, the topic of this paper, has attracted widespread attention of countless researchers.The whole…

Sound · Computer Science 2020-11-16 Shulei Ji , Jing Luo , Xinyu Yang

In this paper, we consider the problem of probabilistically modelling symbolic music data. We introduce a representation which reduces polyphonic music to a univariate categorical sequence. In this way, we are able to apply state of the art…

Sound · Computer Science 2016-06-07 Christian Walder

In many musical traditions, the melody line is of primary significance in a piece. Human listeners can readily distinguish melodies from accompaniment; however, making this distinction given only the written score -- i.e. without listening…