Semantic Web and Creative AI -- A Technical Report from ISWS 2023
Abstract
The International Semantic Web Research School (ISWS) is a week-long intensive program designed to immerse participants in the field. This document reports a collaborative effort performed by ten teams of students, each guided by a senior researcher as their mentor, attending ISWS 2023. Each team provided a different perspective to the topic of creative AI, substantiated by a set of research questions as the main subject of their investigation. The 2023 edition of ISWS focuses on the intersection of Semantic Web technologies and Creative AI. ISWS 2023 explored various intersections between Semantic Web technologies and creative AI. A key area of focus was the potential of LLMs as support tools for knowledge engineering. Participants also delved into the multifaceted applications of LLMs, including legal aspects of creative content production, humans in the loop, decentralised approaches to multimodal generative AI models, nanopublications and AI for personal scientific knowledge graphs, commonsense knowledge in automatic story and narrative completion, generative AI for art critique, prompt engineering, automatic music composition, commonsense prototyping and conceptual blending, and elicitation of tacit knowledge. As Large Language Models and semantic technologies continue to evolve, new exciting prospects are emerging: a future where the boundaries between creative expression and factual knowledge become increasingly permeable and porous, leading to a world of knowledge that is both informative and inspiring.
Cite
@article{arxiv.2501.18542,
title = {Semantic Web and Creative AI -- A Technical Report from ISWS 2023},
author = {Raia Abu Ahmad and Reham Alharbi and Roberto Barile and Martin Böckling and Francisco Bolanos and Sara Bonfitto and Oleksandra Bruns and Irene Celino and Yashrajsinh Chudasama and Martin Critelli and Claudia d'Amato and Giada D'Ippolito and Ioannis Dasoulas and Stefano De Giorgis and Vincenzo De Leo and Chiara Di Bonaventura and Marco Di Panfilo and Daniil Dobriy and John Domingue and Xuemin Duan and Michel Dumontier and Sefika Efeoglu and Ruben Eschauzier and Fakih Ginwa and Nicolas Ferranti and Arianna Graciotti and Philipp Hanisch and George Hannah and Golsa Heidari and Aidan Hogan and Hassan Hussein and Alexane Jouglar and Jan-Christoph Kalo and Manoé Kieffer and Antonis Klironomos and Inês Koch and Weronika Lajewska and Nicolas Lazzari and Mikael Lindekrans and Anna Sofia Lippolis and Majlinda Llugiqi and Eleonora Mancini and Eleonora Marzi and Laura Menotti and Daniela Milon Flores and Soulakshmee Nagowah and Kerstin Neubert and Emetis Niazmand and Ebrahim Norouzi and Beatriz Olarte Martinez and Anouk Michelle Oudshoorn and Andrea Poltronieri and Valentina Presutti and Disha Purohit and Ensiyeh Raoufi and Celian Ringwald and Johanna Rockstroh and Sebastian Rudolph and Harald Sack and Zafar Saeed and Mohammad Javad Saeedizade and Aya Sahbi and Cristian Santini and Aleksandra Simic and Dennis Sommer and Rita Sousa and Mary Ann Tan and Vidyashree Tarikere and Tabea Tietz and Liam Tirpitz and Arnaldo Tomasino and Frank van Harmelen and Joao Vissoci and Caitlin Woods and Bohui Zhang and Xinyue Zhang and Heng Zheng},
journal= {arXiv preprint arXiv:2501.18542},
year = {2025}
}
Comments
Technical Report