Related papers: The SJTU X-LANCE Lab System for MSR Challenge 2025
Discrete multiple signal classification (MUSIC) with its low computational cost and mild condition requirement becomes a significant noniterative algorithm for joint sparse recovery (JSR). However, it fails in rank defective problem caused…
We are interested in a challenging task, Realistic-Music-Score based Singing Voice Synthesis (RMS-SVS). RMS-SVS aims to generate high-quality singing voices given realistic music scores with different note types (grace, slur, rest, etc.).…
Discrete speech tokens have been more and more popular in multiple speech processing fields, including automatic speech recognition (ASR), text-to-speech (TTS) and singing voice synthesis (SVS). In this paper, we describe the systems…
This paper introduces a multi-stage self-directed framework designed to address the spatial semantic segmentation of sound scene (S5) task in the DCASE 2025 Task 4 challenge. This framework integrates models focused on three distinct tasks:…
Music source separation aims to separate polyphonic music into different types of sources. Most existing methods focus on enhancing the quality of separated results by using a larger model structure, rendering them unsuitable for deployment…
This paper describes SHNU multilingual conversational speech recognition system (SHNU-mASR, team name-"maybe"), submitted to Track 1 of the INTERSPEECH 2025 MLC-SLM Challenge. Our system integrates a parallel-speech-encoder architecture…
In this paper, we describe the systems developed by the SJTU X-LANCE team for LIMMITS 2023 Challenge, and we mainly focus on the winning system on naturalness for track 1. The aim of this challenge is to build a multi-speaker multi-lingual…
To advance immersive communication, the Detection and Classification of Acoustic Scenes and Events (DCASE) 2025 Challenge recently introduced Task 4 on Spatial Semantic Segmentation of Sound Scenes (S5). An S5 system takes a multi-channel…
This paper introduces our system submission for the Cadenza ICASSP 2024 Grand Challenge, which presents the problem of remixing and enhancing music for hearing aid users. Our system placed first in the challenge, achieving the best average…
In recent years, deep neural networks (DNNs) based approaches have achieved the start-of-the-art performance for music source separation (MSS). Although previous methods have addressed the large receptive field modeling using various…
Music Recommender Systems (MRS) have long relied on an information-retrieval framing, where progress is measured mainly through accuracy on retrieval-oriented subtasks. While effective, this reductionist paradigm struggles to address the…
This paper presents the SJTU system for both text-dependent and text-independent tasks in short-duration speaker verification (SdSV) challenge 2021. In this challenge, we explored different strong embedding extractors to extract robust…
In recent years, significant advances have been made in music source separation, with model architectures such as dual-path modeling, band-split modules, or transformer layers achieving comparably good results. However, these models often…
This paper presents the architecture and performance of a novel Multilingual Automatic Speech Recognition (ASR) system developed by the Transsion Speech Team for Track 1 of the MLC-SLM 2025 Challenge. The proposed system comprises three key…
Musical (MSS) source separation of western popular music using non-causal deep learning can be very effective. In contrast, MSS for classical music is an unsolved problem. Classical ensembles are harder to separate than popular music…
This report describes the UNISOUND submission for Track1 and Track2 of VoxCeleb Speaker Recognition Challenge 2023 (VoxSRC 2023). We submit the same system on Track 1 and Track 2, which is trained with only VoxCeleb2-dev. Large-scale ResNet…
Music source separation (MSS) shows active progress with deep learning models in recent years. Many MSS models perform separations on spectrograms by estimating bounded ratio masks and reusing the phases of the mixture. When using…
A central problem in building effective sound event detection systems is the lack of high-quality, strongly annotated sound event datasets. For this reason, Task 4 of the DCASE 2024 challenge proposes learning from two heterogeneous…
Music source separation (MSS) aims to extract 'vocals', 'drums', 'bass' and 'other' tracks from a piece of mixed music. While deep learning methods have shown impressive results, there is a trend toward larger models. In our paper, we…
Source separation models either work on the spectrogram or waveform domain. In this work, we show how to perform end-to-end hybrid source separation, letting the model decide which domain is best suited for each source, and even combining…