Related papers: The T12 System for AudioMOS Challenge 2025: Audio …
This is the summary paper for the AudioMOS Challenge 2025, the very first challenge for automatic subjective quality prediction for synthetic audio. The challenge consists of three tracks. The first track aims to assess text-to-music…
Evaluation of text-to-music systems is constrained by the cost and availability of collecting experts for assessment. AudioMOS 2025 Challenge track 1 is created to automatically predict music impression (MI) as well as text alignment (TA)…
This paper summarizes the ICASSP 2026 Automatic Song Aesthetics Evaluation (ASAE) Challenge, which focuses on predicting the subjective aesthetic scores of AI-generated songs. The challenge consists of two tracks: Track 1 targets the…
Compared with automatic speech recognition (ASR), the human auditory system is more adept at handling noise-adverse situations, including environmental noise and channel distortion. To mimic this adeptness, auditory models have been widely…
We present Task 5 of the DCASE 2025 Challenge: an Audio Question Answering (AQA) benchmark spanning multiple domains of sound understanding. This task defines three QA subsets (Bioacoustics, Temporal Soundscapes, and Complex QA) to test…
We present our system (denoted as T05) for the VoiceMOS Challenge (VMC) 2024. Our system was designed for the VMC 2024 Track 1, which focused on the accurate prediction of naturalness mean opinion score (MOS) for high-quality synthetic…
We present a system for automatic multi-axis perceptual quality prediction of generative audio, developed for Track 2 of the AudioMOS Challenge 2025. The task is to predict four Audio Aesthetic Scores--Production Quality, Production…
This report describes our systems submitted for the DCASE2024 Task 3 challenge: Audio and Audiovisual Sound Event Localization and Detection with Source Distance Estimation (Track B). Our main model is based on the audio-visual (AV)…
End-to-end (E2E) models have made rapid progress in automatic speech recognition (ASR) and perform competitively relative to conventional models. To further improve the quality, a two-pass model has been proposed to rescore streamed…
In this work, we introduce VERSA, a unified and standardized evaluation toolkit designed for various speech, audio, and music signals. The toolkit features a Pythonic interface with flexible configuration and dependency control, making it…
We participated in track 2 of the VoiceMOS Challenge 2024, which aimed to predict the mean opinion score (MOS) of singing samples. Our submission secured the first place among all participating teams, excluding the official baseline. In…
We present a system for non-intrusive prediction of speech quality in noisy and enhanced speech, developed for Track 3 of the VoiceMOS 2024 Challenge. The task required estimating the ITU-T P.835 metrics SIG, BAK, and OVRL without reference…
Recent advancements in speech synthesis technologies have led to increasingly advanced spoofing attacks, posing significant challenges for automatic speaker verification systems. While systems based on self-supervised learning (SSL) models,…
We present the third edition of the VoiceMOS Challenge, a scientific initiative designed to advance research into automatic prediction of human speech ratings. There were three tracks. The first track was on predicting the quality of…
Voice agents, artificial intelligence systems that conduct spoken conversations to complete tasks, are increasingly deployed across enterprise applications. However, no existing benchmark jointly addresses two core evaluation challenges:…
In this report, we describe our submitted system for track 2 of the VoxCeleb Speaker Recognition Challenge 2022 (VoxSRC-22). We fuse a variety of good-performing models ranging from supervised models to self-supervised learning(SSL)…
In this report, we describe our submission to Track 5 of the DCASE 2025 Challenge for the task of Audio Question Answering(AQA). Our system leverages the SSL backbone BEATs to extract frame-level audio features, which are then processed by…
The speech representations learned from large-scale unlabeled data have shown better generalizability than those from supervised learning and thus attract a lot of interest to be applied for various downstream tasks. In this paper, we…
The quantification of audio aesthetics remains a complex challenge in audio processing, primarily due to its subjective nature, which is influenced by human perception and cultural context. Traditional methods often depend on human…
Acoustic Scene Classification (ASC) is a fundamental problem in computational audition, which seeks to classify environments based on the distinctive acoustic features. In the ASC task of the APSIPA ASC 2025 Grand Challenge, the organizers…