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Related papers: RUMAA: Repeat-Aware Unified Music Audio Analysis f…

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Music can be represented in multiple forms, such as in the audio form as a recording of a performance, in the symbolic form as a computer readable score, or in the image form as a scan of the sheet music. Music synchronisation provides a…

Sound · Computer Science 2022-06-02 Ruchit Agrawal

Beginner musicians often struggle to identify specific errors in their performances, such as playing incorrect notes or rhythms. There are two limitations in existing tools for music error detection: (1) Existing approaches rely on…

The identification of structural differences between a music performance and the score is a challenging yet integral step of audio-to-score alignment, an important subtask of music information retrieval. We present a novel method to detect…

Sound · Computer Science 2021-02-16 Ruchit Agrawal , Daniel Wolff , Simon Dixon

Performance-score synchronization is an integral task in signal processing, which entails generating an accurate mapping between an audio recording of a performance and the corresponding musical score. Traditional synchronization methods…

Sound · Computer Science 2022-04-20 Ruchit Agrawal , Daniel Wolff , Simon Dixon

Audio-to-score alignment is a long-standing challenge in music information retrieval and arguably the most widely applicable alignment task for music research. Alignment algorithms match two versions of a piece of music, and for this to…

Sound · Computer Science 2026-05-20 Silvan Peter , Patricia Hu , Gerhard Widmer

This Thesis discusses the development of technologies for the automatic resynthesis of music recordings using digital synthesizers. First, the main issue is identified in the understanding of how Music Information Processing (MIP) methods…

Sound · Computer Science 2022-05-03 Federico Simonetta

Audio-to-score alignment is an important pre-processing step for in-depth analysis of classical music. In this paper, we apply novel transposition-invariant audio features to this task. These low-dimensional features represent local pitch…

Sound · Computer Science 2018-07-20 Andreas Arzt , Stefan Lattner

Audio-to-score alignment aims at generating an accurate mapping between a performance audio and the score of a given piece. Standard alignment methods are based on Dynamic Time Warping (DTW) and employ handcrafted features, which cannot be…

Sound · Computer Science 2020-11-17 Ruchit Agrawal , Simon Dixon

The automated creation of accurate musical notation from an expressive human performance is a fundamental task in computational musicology. To this end, we present an end-to-end deep learning approach that constructs detailed musical scores…

Sound · Computer Science 2024-10-02 Tim Beyer , Angela Dai

Quantitative analysis of commonalities and differences between recorded music performances is an increasingly common task in computational musicology. A typical scenario involves manual annotation of different recordings of the same piece…

Multimedia · Computer Science 2020-09-28 Thassilo Gadermaier , Gerhard Widmer

We propose a framework for audio-to-score alignment on piano performance that employs automatic music transcription (AMT) using neural networks. Even though the AMT result may contain some errors, the note prediction output can be regarded…

Sound · Computer Science 2017-11-15 Taegyun Kwon , Dasaem Jeong , Juhan Nam

Multi-instrument Automatic Music Transcription (AMT), or the decoding of a musical recording into semantic musical content, is one of the holy grails of Music Information Retrieval. Current AMT approaches are restricted to piano and (some)…

Sound · Computer Science 2022-04-29 Ben Maman , Amit H. Bermano

Optical Music Recognition (OMR) is an important technology in music and has been researched for a long time. Previous approaches for OMR are usually based on CNN for image understanding and RNN for music symbol classification. In this…

Computation and Language · Computer Science 2023-08-21 Yixuan Li , Huaping Liu , Qiang Jin , Miaomiao Cai , Peng Li

We consider the conversion of musical recordings into human-readable sheet music annotated with timestamps. Such output lets a listener clearly visualize rubato (temporally expressive playing), a learner diagnose ensemble precision and…

Sound · Computer Science 2026-05-26 Nazif Can Tamer , Victoria Ebert , Guang Yang , Noah A. Smith

MIDI performances are generally expedient in performance research and music information retrieval, and even more so if they can be connected to a score. This connection is usually established by means of alignment, linking either notes or…

Sound · Computer Science 2025-05-09 Silvan Peter , Patricia Hu , Gerhard Widmer

Music performance synthesis aims to synthesize a musical score into a natural performance. In this paper, we borrow recent advances in text-to-speech synthesis and present the Deep Performer -- a novel system for score-to-audio music…

Sound · Computer Science 2022-02-22 Hao-Wen Dong , Cong Zhou , Taylor Berg-Kirkpatrick , Julian McAuley

We present a new system for simultaneous estimation of keys, chords, and bass notes from music audio. It makes use of a novel chromagram representation of audio that takes perception of loudness into account. Furthermore, it is fully based…

Sound · Computer Science 2011-07-26 Yizhao Ni , Matt Mcvicar , Raul Santos-Rodriguez , Tijl De Bie

Most digital music tools emphasize precision and control, but often lack support for tactile, improvisational workflows grounded in environmental interaction. Lumia addresses this by enabling users to "compose through looking"--transforming…

Human-Computer Interaction · Computer Science 2025-12-22 Chung-Ta Huang , Connie Cheng , Vealy Lai

Recent advancements in music generation are raising multiple concerns about the implications of AI in creative music processes, current business models and impacts related to intellectual property management. A relevant discussion and…

Sound · Computer Science 2025-07-07 Roser Batlle-Roca , Wei-Hsiang Liao , Xavier Serra , Yuki Mitsufuji , Emilia Gómez

This study focuses on the perception of music performances when contextual factors, such as room acoustics and instrument, change. We propose to distinguish the concept of "performance" from the one of "interpretation", which expresses the…

Sound · Computer Science 2022-03-08 Federico Simonetta , Federico Avanzini , Stavros Ntalampiras
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