Related papers: Set-theoretic solution for the tuning problem
In music source separation, a standard training data augmentation procedure is to create new training samples by randomly combining instrument stems from different songs. These random mixes have mismatched characteristics compared to real…
A music mashup combines audio elements from two or more songs to create a new work. To reduce the time and effort required to make them, researchers have developed algorithms that predict the compatibility of audio elements. Prior work has…
Time-series forecasting is crucial for numerous real-world applications including weather prediction and financial market modeling. While temporal-domain methods remain prevalent, frequency-domain approaches can effectively capture…
Modern semantic parsers suffer from two principal limitations. First, training requires expensive collection of utterance-program pairs. Second, semantic parsers fail to generalize at test time to new compositions/structures that have not…
Singing melody extraction is an important problem in the field of music information retrieval. Existing methods typically rely on frequency-domain representations to estimate the sung frequencies. However, this design does not lead to…
The problem of matching two sets of multiple elements, namely set-to-set matching, has received a great deal of attention in recent years. In particular, it has been reported that good experimental results can be obtained by preparing a…
In the domain of Music Information Retrieval (MIR), Automatic Music Transcription (AMT) emerges as a central challenge, aiming to convert audio signals into symbolic notations like musical notes or sheet music. This systematic review…
In this paper we present a mathematical way of defining musical modes, we derive a formula for the total number of modes and define the musicality of a mode as the total number of harmonic chords whithin the mode. We also give an algorithm…
Although computational aesthetics evaluation has made certain achievements in many fields, its research of music performance remains to be explored. At present, subjective evaluation is still a ultimate method of music aesthetics research,…
Understanding the structural characteristics of harmony is essential for an effective use of music as a communication medium. Of the three expressive axes of music (melody, rhythm, harmony), harmony is the foundation on which the emotional…
Computational aesthetics evaluation has made great achievements in the field of visual arts, but the research work on music still needs to be explored. Although the existing work of music generation is very substantial, the quality of music…
Reachable set computation is an important tool for analyzing control systems. Simulating a control system can show general trends, but a formal tool like reachability analysis can provide guarantees of correctness. Reachability analysis for…
We propose a transformer-based rhythm quantization model that incorporates beat and downbeat information to quantize MIDI performances into metrically-aligned, human-readable scores. We propose a beat-based preprocessing method that…
A question is proposed whether or not set theory is consistent.
Ontology Matching aims to find a set of semantic correspondences, called an alignment, between related ontologies. In recent years, there has been a growing interest in efficient and effective matching methods for large ontologies. However,…
Timbre allows us to distinguish between sounds even when they share the same pitch and loudness, playing an important role in music, instrument recognition, and speech. Traditional approaches, such as frequency analysis or machine learning,…
Musical frequencies in Just Intonation are comprised of rational numbers. The structure of rational numbers is determined by prime factorisations. Just Intonation frequencies can be split into two components. The larger component uses only…
We present a new system for simultaneous estimation of keys, chords, and bass notes from music audio. It makes use of a novel chromagram representation of audio that takes perception of loudness into account. Furthermore, it is fully based…
This review examines the roles of adaptation and synchronization in music performance, drawing on concepts from complex systems theory to understand the dynamic interactions between musicians, music, and listeners. Adaptation is explored…
This paper presents a computational methodology for analyzing intonation and deriving tuning systems in microtonal oral traditions, utilizing pitch histograms, Dynamic Time Warping (DTW), and optimization techniques, with a case study on a…