Related papers: Set-theoretic solution for the tuning problem
We investigate a dynamically adapting tuning scheme for microtonal tuning of musical instruments, allowing the performer to play music in just intonation in any key. Unlike other methods, which are based on a procedural analysis of the…
The human sense of hearing perceives a combination of sounds 'in tune' if the corresponding harmonic spectra are correlated, meaning that the neuronal excitation pattern in the inner ear exhibits some kind of order. Based on this…
In this paper we present mathematical and physical models to be used in the analysis of the problem of intonation of musical instruments such as guitars, mandolins and the like, i.e., we study how to improve the tuning on these instruments.…
We develop aspects of music theory related to harmony, such as scales, chord formation and improvisation from a combinatorial perspective. The goal is to provide a foundation for this subject by deriving the basic structure from a few…
Consonance is related to the perception of pleasantness arising from a combination of sounds and has been approached quantitatively using mathematical relations, physics, information theory, and psychoacoustics. Tonal consonance is present…
Musical chords, harmonies or melodies in Just Intonation have note frequencies which are described by a base frequency multiplied by rational numbers. For any local section, these notes can be converted to some base frequency multiplied by…
We propose a continuous measure of tonal ambiguity that extends the established concept of uniqueness. While uniqueness is widely regarded as necessary for tonality, it cannot (i) discriminate among sets that possess it, (ii) capture…
The mathematics of musical intervals and scales has been extensively studied. Vastly simplified, our ears seem to prefer intervals whose frequency ratios have small numerator and denominator, such as 2:1 (octave), 3:2 (perfect fifth), 4:3…
After briefly revising the concepts of consonance/dissonance, a respective mathematic-computational model is described, based on Helmholtz's consonance theory and also considering the partials intensity. It is then applied to characterize…
This paper attempts to look for a mathematical method of composing music by incorporating Schonbergs idea of tone rows and matrix theory from linear algebra. The elements of a note set S are considered as the integer values for the natural…
We present a statistical-modelling method for piano reduction, i.e. converting an ensemble score into piano scores, that can control performance difficulty. While previous studies have focused on describing the condition for playable piano…
In classical music and in any genre of contemporary music, the tonal elements or notes used for playing are the same. The numerous possibilities of chords for a given instance in a piece make the playing, in general, very intricate, and…
Many spectral unmixing methods rely on the non-negative decomposition of spectral data onto a dictionary of spectral templates. In particular, state-of-the-art music transcription systems decompose the spectrogram of the input signal onto a…
We consider a specific scenario of text aggregation, in the realm of musical harmonization. Musical harmonization shares similarities with text aggregation, however the language of harmony is more structured than general text. Concretely,…
Quantitative analysis of commonalities and differences between recorded music performances is an increasingly common task in computational musicology. A typical scenario involves manual annotation of different recordings of the same piece…
In this work, we consider the problem of multi-pitch estimation, i.e., identifying super-imposed truncated harmonic series from noisy measurements. We phrase this as recovering a harmonically-structured measure on the unit circle, where the…
Traditional approaches to combination tones based on Helmholtz theory encounter essential interpreting difficulties, which the most known example is the anomalous behaviour of the combination tone 2f1-f2. Without doubt the phenomenon of…
Many problems in robust control and motion planning can be reduced to either find a sound approximation of the solution space determined by a set of nonlinear inequalities, or to the ``guaranteed tuning problem'' as defined by Jaulin and…
The origins of consonance in human music has long been contested, and today there are three primary hypotheses: aversion to roughness, preference for harmonicity, and learned preferences from cultural exposure. While the evidence is…
The dichotic method of hearing sound adapts in the region of musical harmony. The algorithm of the separation of the being dissonant voices into several separate groups is proposed. For an increase in the pleasantness of chords the…