Related papers: Does CLIP perceive art the same way we do?
This study investigates the cognitive plausibility of a pretrained multimodal model, CLIP, in recognizing emotions evoked by abstract visual art. We employ a dataset comprising images with associated emotion labels and textual rationales of…
In the field of design patent analysis, traditional tasks such as patent classification and patent image retrieval heavily depend on the image data. However, patent images -- typically consisting of sketches with abstract and structural…
CLIP is one of the most popular foundational models and is heavily used for many vision-language tasks. However, little is known about the inner workings of CLIP. To bridge this gap we propose a study to quantify the interpretability in…
Understanding the limitations and weaknesses of state-of-the-art models in artificial intelligence is crucial for their improvement and responsible application. In this research, we focus on CLIP, a model renowned for its integration of…
Recent strides in multimodal model development have ignited a paradigm shift in the realm of text-to-image generation. Among these advancements, CLIP stands out as a remarkable achievement which is a sophisticated autoencoder adept at…
CLIP has demonstrated great versatility in adapting to various downstream tasks, such as image editing and generation, visual question answering, and video understanding. However, CLIP-based applications often suffer from misunderstandings…
We explore social perception of human faces in CLIP, a widely used open-source vision-language model. To this end, we compare the similarity in CLIP embeddings between different textual prompts and a set of face images. Our textual prompts…
CLIP is a seminal multimodal model that maps images and text into a shared representation space through contrastive learning on billions of image-caption pairs. Inspired by the rapid progress of large language models (LLMs), we investigate…
CLIP is a powerful and widely used tool for understanding images in the context of natural language descriptions to perform nuanced tasks. However, it does not offer application-specific fine-grained and structured understanding, due to its…
Given the recent advances in multimodal image pretraining where visual models trained with semantically dense textual supervision tend to have better generalization capabilities than those trained using categorical attributes or through…
In this paper we explore the possibility of using OpenAI's CLIP to perform logically coherent grounded visual reasoning. To that end, we formalize our terms and give a geometric analysis of how embeddings in CLIP's latent space would need…
Vision-Language Models (VLMs) transfer visual and textual data into a shared embedding space. In so doing, they enable a wide range of multimodal tasks, while also raising critical questions about the nature of machine 'understanding.' In…
Recent advances in computer vision have yielded models with strong performance on recognition benchmarks; however, significant gaps remain in comparison to human perception. One subtle ability is to judge whether an image looks like a given…
The dream of instantly creating rich 360-degree panoramic worlds from text is rapidly becoming a reality, yet a crucial gap exists in our ability to reliably evaluate their semantic alignment. Contrastive Language-Image Pre-training (CLIP)…
The CLIP network measures the similarity between natural text and images; in this work, we investigate the entanglement of the representation of word images and natural images in its image encoder. First, we find that the image encoder has…
The unabated mystique of large-scale neural networks, such as the CLIP dual image-and-text encoder, popularized automatically generated art. Increasingly more sophisticated generators enhanced the artworks' realism and visual appearance,…
CLIP is a discriminative model trained to align images and text in a shared embedding space. Due to its multimodal structure, it serves as the backbone of many generative pipelines, where a decoder is trained to map from the shared space…
Existing computer vision research in artwork struggles with artwork's fine-grained attributes recognition and lack of curated annotated datasets due to their costly creation. To the best of our knowledge, we are one of the first methods to…
Recently, there have been breakthroughs in computer vision ("CV") models that are more generalizable with the advent of models such as CLIP and ALIGN. In this paper, we analyze CLIP and highlight some of the challenges such models pose.…
In this paper, we demonstrate that CLIP can also be adapted to downstream tasks where its vision-language alignment is suboptimally learned during pre-training on web-crawled data, all without requiring fine-tuning. We explore the case of…