Related papers: Expressive Timing in Hindustani Vocal Music
This paper presents an attempt to study the aesthetics of North Indian Khayal music with reference to the flexibility exercised by artists in performing popular compositions. We study expressive timing and pitch variations of the given…
In North Indian Classical Music, raga forms the basic structure over which individual improvisations is performed by an artist based on his/her creativity. The Alap is the opening section of a typical Hindustani Music (HM) performance,…
A Dhrupad vocal concert comprises a composition section that is interspersed with improvised episodes of increased rhythmic activity involving the interaction between the vocals and the percussion. Tracking the changing rhythmic density, in…
Musical improvisation, much like spontaneous speech, reveals intricate facets of the improviser's state of mind and emotional character. However, the specific musical components that reveal such individuality remain largely unexplored.…
A raga is a melodic structure with fixed notes and a set of rules characterizing a certain mood endorsed through performance. By a vadi swar is meant that note which plays the most significant role in expressing the raga. A samvadi swar…
What happens inside the performers brain when he is performing and composing a particular raga. Are there some specific regions in brain which are activated when an artist is creating or imaging a raga in his brain. Do the regions remain…
We present a melody based classification of musical styles by exploiting the pitch and energy based characteristics derived from the audio signal. Three prominent musical styles were chosen which have improvisation as integral part with…
The tabla is a unique percussion instrument due to the combined harmonic and percussive nature of its timbre, and the contrasting harmonic frequency ranges of its two drums. This allows a tabla player to uniquely emphasize parts of the…
The term jitter and shimmer has long been used in the domain of speech and acoustic signal analysis as a parameter for speaker identification and other prosodic features. In this study, we look forward to use the same parameters in neural…
Hindustani music is a performance-driven oral tradition that exhibits the rendition of rich melodic patterns. In this paper, we focus on generative modeling of singers' vocal melodies extracted from audio recordings, as the voice is…
Since the early twentieth century, intervals and tuning systems have been subjects of discussion among Iranian musicians and scholars. The process of Westernization and then a cultural back to roots movement are among the reasons that…
Raga is a fundamental melodic concept in Indian Art Music (IAM). It is characterized by complex patterns. All performances and compositions are based on the raga framework. Raga and tonic detection have been a long-standing research problem…
Since the start of Indian cinema, a number of films have been made where a particular song is based on a certain raga. These songs have been taking a major role in spreading the essence of classical music to the common people, who have no…
Hindustani classical music is entirely based on the "Raga" structures. In Hindustani music, a "Gharana" or school refers to the adherence of a group of musicians to a particular musical style. Gharanas have their basis in the traditional…
Musical rhythms performed by humans typically show temporal fluctuations. While they have been characterized in simple rhythmic tasks, it is an open question what is the nature of temporal fluctuations, when several musicians perform music…
Raga is the central melodic concept in Hindustani Classical Music. It has a complex structure, often characterized by pathos. In this paper, we describe a technique for Automatic Raga Recognition, based on pitch distributions. We are able…
The impact of Music on the mood or emotion of the listener is a well-researched area in human psychology and behavioral science. In Indian classical music, ragas are the melodic structure that defines the various styles and forms of the…
In North Indian Classical music, each raga has been traditionally associated with a performance time, which supposedly maximizes its aesthetic and emotional effects on the listener. The objective of this work was to investigate the…
The objective of this study is to find the underlying pattern of how perception of emotions has evolved in India. Here Hindustani Music has been used as a reference frame for tracking the changing perception of emotions. It has been found…
The synchronization of motor responses to rhythmic auditory cues is a fundamental biological phenomenon observed across various species. While the importance of temporal alignment varies across different contexts, achieving precise temporal…