Related papers: ReCLAP: Improving Zero Shot Audio Classification b…

Contrastive Language-Audio Pretraining (CLAP) is pre-trained to associate audio features with human language, making it a natural zero-shot classifier to recognize unseen sound categories. To adapt CLAP to downstream tasks, prior works…

In traditional audio captioning methods, a model is usually trained in a fully supervised manner using a human-annotated dataset containing audio-text pairs and then evaluated on the test sets from the same dataset. Such methods have two…

Audio-text models trained via contrastive learning offer a practical approach to perform audio classification through natural language prompts, such as "this is a sound of" followed by category names. In this work, we explore alternative…

Automated Audio Captioning (AAC) generates captions for audio clips but faces challenges due to limited datasets compared to image captioning. To overcome this, we propose the zero-shot AAC system that leverages pre-trained models,…

We propose a novel training scheme using self-label correction and data augmentation methods designed to deal with noisy labels and improve real-world accuracy on a polyphonic audio content detection task. The augmentation method reduces…

Audio-Language Models (ALMs) have demonstrated remarkable performance in zero-shot audio classification. In this paper, we introduce PAT (Parameter-free Audio-Text aligner), a simple and training-free method aimed at boosting the zero-shot…

While automated audio captioning (AAC) has made notable progress, traditional fully supervised AAC models still face two critical challenges: the need for expensive audio-text pair data for training and performance degradation when…

We present RECAP (REtrieval-Augmented Audio CAPtioning), a novel and effective audio captioning system that generates captions conditioned on an input audio and other captions similar to the audio retrieved from a datastore. Additionally,…

Automated Audio Captioning (AAC) aims to generate natural textual descriptions for input audio signals. Recent progress in audio pre-trained models and large language models (LLMs) has significantly enhanced audio understanding and textual…

Mainstream Audio Analytics models are trained to learn under the paradigm of one class label to many recordings focusing on one task. Learning under such restricted supervision limits the flexibility of models because they require labeled…

Zero-shot audio classification aims to recognize and classify a sound class that the model has never seen during training. This paper presents a novel approach for zero-shot audio classification using automatically generated sound attribute…

With contrastive pre-training, sentence encoders are generally optimized to locate semantically similar samples closer to each other in their embedding spaces. In this work, we focus on the potential of their embedding spaces to be readily…

Automated Audio Captioning (AAC) aims to describe the semantic contexts of general sounds, including acoustic events and scenes, by leveraging effective acoustic features. To enhance performance, an AAC method, EnCLAP, employed discrete…

A fundamental characteristic of audio is its compositional nature. Audio-language models (ALMs) trained using a contrastive approach (e.g., CLAP) that learns a shared representation between audio and language modalities have improved…

Zero-shot anomaly detection (ZSAD) targets the identification of anomalies within images from arbitrary novel categories. This study introduces AdaCLIP for the ZSAD task, leveraging a pre-trained vision-language model (VLM), CLIP. AdaCLIP…

Zero-shot anomaly detection (ZSAD) aims to identify anomalies in unseen categories by leveraging CLIP's zero-shot capabilities to match text prompts with visual features. A key challenge in ZSAD is learning general prompts stably and…

Large-scale Pre-Training Vision-Language Model such as CLIP has demonstrated outstanding performance in zero-shot classification, e.g. achieving 76.3% top-1 accuracy on ImageNet without seeing any example, which leads to potential benefits…

We propose EnCLAP, a novel framework for automated audio captioning. EnCLAP employs two acoustic representation models, EnCodec and CLAP, along with a pretrained language model, BART. We also introduce a new training objective called masked…

This paper proposes a method for unsupervised anomalous sound detection (UASD) and captioning the reason for detection. While there is a method that captions the difference between given normal and anomalous sound pairs, it is assumed to be…

In this work, we aim to analyze and optimize the EnCLAP framework, a state-of-the-art model in automated audio captioning. We investigate the impact of modifying the acoustic encoder components, explore pretraining with different dataset…