Related papers: DCASE 2024 Task 4: Sound Event Detection with Hete…

The main scientific question of this year DCASE challenge, Task 4 - Sound Event Detection in Domestic Environments, is to investigate the types of data (strongly labeled synthetic data, weakly labeled data, unlabeled in domain data)…

This paper presents a new learning strategy for the Sound Event Detection (SED) system to tackle the issues of i) knowledge migration from a pre-trained model to a new target model and ii) learning new sound events without forgetting the…

This technical report presents submission systems for Task 4 of the DCASE 2025 Challenge. This model incorporates additional audio features (spectral roll-off and chroma features) into the embedding feature extracted from the mel-spectral…

In this paper, we propose a novel four-stage data augmentation approach to ResNet-Conformer based acoustic modeling for sound event localization and detection (SELD). First, we explore two spatial augmentation techniques, namely audio…

To advance immersive communication, the Detection and Classification of Acoustic Scenes and Events (DCASE) 2025 Challenge recently introduced Task 4 on Spatial Semantic Segmentation of Sound Scenes (S5). An S5 system takes a multi-channel…

The goal of acoustic (or sound) events detection (AED or SED) is to predict the temporal position of target events in given audio segments. This task plays a significant role in safety monitoring, acoustic early warning and other scenarios.…

This technical report presents our submission to Task 3 of the DCASE 2025 Challenge: Stereo Sound Event Localization and Detection (SELD) in Regular Video Content. We address the audio-only task in this report and introduce several key…

Acoustic event detection is essential for content analysis and description of multimedia recordings. The majority of current literature on the topic learns the detectors through fully-supervised techniques employing strongly labeled data.…

Sound event detection (SED) and acoustic scene classification (ASC) are important research topics in environmental sound analysis. Many research groups have addressed SED and ASC using neural-network-based methods, such as the convolutional…

This report proposes a frequency dynamic convolution (FDY) with a large kernel attention (LKA)-convolutional recurrent neural network (CRNN) with a pre-trained bidirectional encoder representation from audio transformers (BEATs)…

State-of-the-art anomalous sound detection (ASD) systems are often trained by using an auxiliary classification task to learn an embedding space. Doing so enables the system to learn embeddings that are robust to noise and are ignoring…

Detecting the presence of animal vocalisations in nature is essential to study animal populations and their behaviors. A recent development in the field is the introduction of the task known as few-shot bioacoustic sound event detection,…

Sound event detection (SED) methods typically rely on either strongly labelled data or weakly labelled data. As an alternative, sequentially labelled data (SLD) was proposed. In SLD, the events and the order of events in audio clips are…

As sound event classification moves towards larger datasets, issues of label noise become inevitable. Web sites can supply large volumes of user-contributed audio and metadata, but inferring labels from this metadata introduces errors due…

Label noise is ubiquitous in real-world scenarios, posing a practical challenge to supervised models due to its effect in hurting the generalization performance of deep neural networks. Existing methods primarily employ the sample selection…

Polyphonic Sound Event Detection (SED) in real-world recordings is a challenging task because of the dynamic polyphony level, intensity, and duration of sound events. Current polyphonic SED systems fail to model the temporal structure of…

Few-shot audio event detection is a task that detects the occurrence time of a novel sound class given a few examples. In this work, we propose a system based on segment-level metric learning for the DCASE 2022 challenge of few-shot…

This paper presents Task 7 at the DCASE 2024 Challenge: sound scene synthesis. Recent advances in sound synthesis and generative models have enabled the creation of realistic and diverse audio content. We introduce a standardized evaluation…

We propose a method to perform audio event detection under the common constraint that only limited training data are available. In training a deep learning system to perform audio event detection, two practical problems arise. Firstly, most…

Detection and Classification Acoustic Scene and Events Challenge 2021 Task 4 uses a heterogeneous dataset that includes both recorded and synthetic soundscapes. Until recently only target sound events were considered when synthesizing the…