Related papers: APCodec: A Neural Audio Codec with Parallel Amplit…
Music codecs are a vital aspect of audio codec research, and ultra low-bitrate compression holds significant importance for music transmission and generation. Due to the complexity of music backgrounds and the richness of vocals, solely…
While existing speech audio codecs designed for compression exploit limited forms of temporal redundancy and allow for multi-scale representations, they tend to represent all features of audio in the same way. In contrast, generative voice…
In this paper, we integrate a simple non-parallel voice conversion (VC) system with a WaveNet (WN) vocoder and a proposed collapsed speech suppression technique. The effectiveness of WN as a vocoder for generating high-fidelity speech…
While neural vocoders have made significant progress in high-fidelity speech synthesis, their application on polyphonic music has remained underexplored. In this work, we propose DisCoder, a neural vocoder that leverages a generative…
Neural audio/speech coding has recently demonstrated its capability to deliver high quality at much lower bitrates than traditional methods. However, existing neural audio/speech codecs employ either acoustic features or learned blind…
Recent advancements in neural audio codecs have not only enabled superior audio compression but also enhanced speech synthesis techniques. Researchers are now exploring their potential as universal acoustic feature extractors for a broader…
Audio codecs are typically transform-domain based and efficiently code stationary audio signals, but they struggle with speech and signals containing dense transient events such as applause. Specifically, with these two classes of signals…
Neural Audio Codecs, initially designed as a compression technique, have gained more attention recently for speech generation. Codec models represent each audio frame as a sequence of tokens, i.e., discrete embeddings. The discrete and…
Inspired by the success of deep neural networks (DNNs) in speech processing, this paper presents Deep Vocoder, a direct end-to-end low bit rate speech compression method with deep autoencoder (DAE). In Deep Vocoder, DAE is used for…
Neural Audio Codecs (NACs) have gained growing attention in recent years as technologies for audio compression and audio representation in speech language models. While mainstream NACs typically require G-level computation and M-level…
Neural audio codecs form the foundational building blocks for language model (LM)-based speech generation. Typically, there is a trade-off between frame rate and audio quality. This study introduces a low-frame-rate, semantically enhanced…
Neural codecs have become crucial to recent speech and audio generation research. In addition to signal compression capabilities, discrete codecs have also been found to enhance downstream training efficiency and compatibility with…
This paper considers the joint compression and enhancement problem for speech signal in the presence of noise. Recently, the SoundStream codec, which relies on end-to-end joint training of an encoder-decoder pair and a residual vector…
Understanding the coordinated activity underlying brain computations requires large-scale, simultaneous recordings from distributed neuronal structures at a cellular-level resolution. One major hurdle to design high-bandwidth,…
Neural audio codecs (NACs) provide compact representations that can be leveraged in many downstream applications, in particular large language models. Yet most NACs encode mixtures of multiple sources in an entangled manner, which may…
Recent advancements in audio language models have underscored the pivotal role of audio tokenization, which converts audio signals into discrete tokens, thereby facilitating the application of language model architectures to the audio…
High-quality speech corpora are essential foundations for most speech applications. However, such speech data are expensive and limited since they are collected in professional recording environments. In this work, we propose an…
The voice mode of the Opus audio coder can compress wideband speech at bit rates ranging from 6 kb/s to 40 kb/s. However, Opus is at its core a waveform matching coder, and as the rate drops below 10 kb/s, quality degrades quickly. As the…
Scene-based spatial audio formats, such as Ambisonics, are playback system agnostic and may therefore be favoured for delivering immersive audio experiences to a wide range of (potentially unknown) devices. The number of channels required…
We introduce LMCodec, a causal neural speech codec that provides high quality audio at very low bitrates. The backbone of the system is a causal convolutional codec that encodes audio into a hierarchy of coarse-to-fine tokens using residual…