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This paper introduces the ACCompanion, an expressive accompaniment system. Similarly to a musician who accompanies a soloist playing a given musical piece, our system can produce a human-like rendition of the accompaniment part that follows…

Musical expression requires control of both what notes are played, and how they are performed. Conventional audio synthesizers provide detailed expressive controls, but at the cost of realism. Black-box neural audio synthesis and…

Large Language Models (LLM) have shown encouraging progress in multimodal understanding and generation tasks. However, how to design a human-aligned and interpretable melody composition system is still under-explored. To solve this problem,…

Sound · Computer Science 2024-03-08 Xia Liang , Xingjian Du , Jiaju Lin , Pei Zou , Yuan Wan , Bilei Zhu

Composer 2 is a specialized model designed for agentic software engineering. The model demonstrates strong long-term planning and coding intelligence while maintaining the ability to efficiently solve problems for interactive use. The model…

Automatic musical accompaniment is where a human musician is accompanied by a computer musician. The computer musician is able to produce musical accompaniment that relates musically to the human performance. The accompaniment should follow…

Sound · Computer Science 2018-03-28 Anyi Rao , Francis Lau

Editing complex real-world sound scenes is difficult because individual sound sources overlap in time. Generative models can fill-in missing or corrupted details based on their strong prior understanding of the data domain. We present a…

Music performance synthesis aims to synthesize a musical score into a natural performance. In this paper, we borrow recent advances in text-to-speech synthesis and present the Deep Performer -- a novel system for score-to-audio music…

Sound · Computer Science 2022-02-22 Hao-Wen Dong , Cong Zhou , Taylor Berg-Kirkpatrick , Julian McAuley

This study focuses on the perception of music performances when contextual factors, such as room acoustics and instrument, change. We propose to distinguish the concept of "performance" from the one of "interpretation", which expresses the…

Sound · Computer Science 2022-03-08 Federico Simonetta , Federico Avanzini , Stavros Ntalampiras

Existing AI Music composition tools are limited in generation duration, musical quality, and controllability. We introduce CoComposer, a multi-agent system that consists of five collaborating agents, each with a task based on the…

Sound · Computer Science 2025-09-03 Peiwen Xing , Aske Plaat , Niki van Stein

This Thesis discusses the development of technologies for the automatic resynthesis of music recordings using digital synthesizers. First, the main issue is identified in the understanding of how Music Information Processing (MIP) methods…

Sound · Computer Science 2022-05-03 Federico Simonetta

This paper presents the first step in a research project situated within the field of musical agents. The objective is to achieve, through training, the tuning of the desired musical relationship between a live musical input and a real-time…

Sound · Computer Science 2025-10-01 Balthazar Bujard , Jérôme Nika , Fédéric Bevilacqua , Nicolas Obin

A great number of deep learning based models have been recently proposed for automatic music composition. Among these models, the Transformer stands out as a prominent approach for generating expressive classical piano performance with a…

Sound · Computer Science 2020-08-11 Yu-Siang Huang , Yi-Hsuan Yang

Agentic AI has been standardized in industry as a practical paradigm for coordinating specialized models and tools to solve complex multimodal tasks. In this work, we present WeaveMuse, a multi-agent system for music understanding, symbolic…

Sound · Computer Science 2025-09-16 Emmanouil Karystinaios

Although current text-guided music generation technology can cope with simple creative scenarios, achieving fine-grained control over individual text-modality conditions remains challenging as user demands become more intricate.…

Sound · Computer Science 2024-08-12 Jialing Zou , Jiahao Mei , Xudong Nan , Jinghua Li , Daoguo Dong , Liang He

An ideal music synthesizer should be both interactive and expressive, generating high-fidelity audio in realtime for arbitrary combinations of instruments and notes. Recent neural synthesizers have exhibited a tradeoff between…

Building upon Diff-A-Riff, a latent diffusion model for musical instrument accompaniment generation, we present a series of improvements targeting quality, diversity, inference speed, and text-driven control. First, we upgrade the…

Sound · Computer Science 2024-10-31 Javier Nistal , Marco Pasini , Stefan Lattner

Music is a form of expression that often requires interaction between players. If one wishes to interact in such a musical way with a computer, it is necessary for the machine to be able to interpret the input given by the human to find its…

Sound · Computer Science 2022-09-01 Filippo Carnovalini , Antonio Rodà

We propose an interactive-predictive neural machine translation framework for easier model personalization using reinforcement and imitation learning. During the interactive translation process, the user is asked for feedback on uncertain…

Computation and Language · Computer Science 2019-07-08 Tsz Kin Lam , Shigehiko Schamoni , Stefan Riezler

This paper proposes a novel Transformer-based model for music score infilling, to generate a music passage that fills in the gap between given past and future contexts. While existing infilling approaches can generate a passage that…

Sound · Computer Science 2022-10-07 Chih-Pin Tan , Alvin W. Y. Su , Yi-Hsuan Yang

Large-scale text-to-music generation models have significantly enhanced music creation capabilities, offering unprecedented creative freedom. However, their ability to collaborate effectively with human musicians remains limited. In this…

Sound · Computer Science 2024-07-16 Yongyi Zang , Yixiao Zhang