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Related papers: A-Muze-Net: Music Generation by Composing the Harm…

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In this paper, we introduce Story2MIDI, a sequence-to-sequence Transformer-based model for generating emotion-aligned music from a given piece of text. To develop this model, we construct the Story2MIDI dataset by merging existing datasets…

Human usually composes music by organizing elements according to the musical form to express music ideas. However, for neural network-based music generation, it is difficult to do so due to the lack of labelled data on musical form. In this…

Sound · Computer Science 2022-08-31 Peiling Lu , Xu Tan , Botao Yu , Tao Qin , Sheng Zhao , Tie-Yan Liu

We propose a novel approach for the generation of polyphonic music based on LSTMs. We generate music in two steps. First, a chord LSTM predicts a chord progression based on a chord embedding. A second LSTM then generates polyphonic music…

Sound · Computer Science 2017-11-22 Gino Brunner , Yuyi Wang , Roger Wattenhofer , Jonas Wiesendanger

We describe a proof-of-principle implementation of a system for drawing melodies that abstracts away from a note-level input representation via melodic contours. The aim is to allow users to express their musical intentions without…

Sound · Computer Science 2023-05-22 Tashi Namgyal , Peter Flach , Raul Santos-Rodriguez

Notes in a musical piece are building blocks employed in non-random ways to create melodies. It is the "interaction" among a limited amount of notes that allows constructing the variety of musical compositions that have been written in…

Sound · Computer Science 2016-10-06 Stefano Ferretti

Music that is generated by recurrent neural networks often lacks a sense of direction and coherence. We therefore propose a two-stage LSTM-based model for lead sheet generation, in which the harmonic and rhythmic templates of the song are…

Sound · Computer Science 2020-02-25 Cedric De Boom , Stephanie Van Laere , Tim Verbelen , Bart Dhoedt

We propose a novel system that takes as an input body movements of a musician playing a musical instrument and generates music in an unsupervised setting. Learning to generate multi-instrumental music from videos without labeling the…

Sound · Computer Science 2020-12-08 Kun Su , Xiulong Liu , Eli Shlizerman

In pop music, accompaniments are usually played by multiple instruments (tracks) such as drum, bass, string and guitar, and can make a song more expressive and contagious by arranging together with its melody. Previous works usually…

Sound · Computer Science 2020-08-19 Yi Ren , Jinzheng He , Xu Tan , Tao Qin , Zhou Zhao , Tie-Yan Liu

Traditionally, music was treated as an analogue signal and was generated manually. In recent years, music is conspicuous to technology which can generate a suite of music automatically without any human intervention. To accomplish this…

Sound · Computer Science 2019-08-06 Sanidhya Mangal , Rahul Modak , Poorva Joshi

Dance-driven music generation aims to generate musical pieces conditioned on dance videos. Previous works focus on monophonic or raw audio generation, while the multi-instruments scenario is under-explored. The challenges associated with…

Multimedia · Computer Science 2024-02-28 Bo Han , Yuheng Li , Yixuan Shen , Yi Ren , Feilin Han

Automatic music generation is an interdisciplinary research topic that combines computational creativity and semantic analysis of music to create automatic machine improvisations. An important property of such a system is allowing the user…

Sound · Computer Science 2020-03-03 Ke Chen , Gus Xia , Shlomo Dubnov

While recent generative models can produce engaging music, their utility is limited. The variation in the music is often left to chance, resulting in compositions that lack structure. Pieces extending beyond a minute can become incoherent…

Sound · Computer Science 2023-11-01 Lilac Atassi

Recent years have witnessed significant progress in generative models for music, featuring diverse architectures that balance output quality, diversity, speed, and user control. This study explores a user-friendly graphical interface…

Sound · Computer Science 2024-07-02 Scott H. Hawley

We describe a novel approach for generating music using a self-correcting, non-chronological, autoregressive model. We represent music as a sequence of edit events, each of which denotes either the addition or removal of a note---even a…

Audio and Speech Processing · Electrical Eng. & Systems 2020-08-21 Wayne Chi , Prachi Kumar , Suri Yaddanapudi , Rahul Suresh , Umut Isik

Melody reduction, as an abstract representation of musical compositions, serves not only as a tool for music analysis but also as an intermediate representation for structured music generation. Prior computational theories, such as the…

Sound · Computer Science 2025-08-05 Ziyu Wang , Yuxuan Wu , Roger B. Dannenberg , Gus Xia

Symbolic music generation has attracted increasing attention, while most methods focus on generating short piece (mostly less than 8 bars, and up to 32 bars). Generating long music calls for effective expression of the coherent music…

Sound · Computer Science 2021-07-22 Ning Zhang , Junchi Yan

We present and release MIDI-GPT, a generative system based on the Transformer architecture that is designed for computer-assisted music composition workflows. MIDI-GPT supports the infilling of musical material at the track and bar level,…

Audio-driven bimanual piano motion generation requires precise modeling of complex musical structures and dynamic cross-hand coordination. However, existing methods often rely on acoustic-only representations lacking symbolic priors, employ…

Computer Vision and Pattern Recognition · Computer Science 2026-04-16 Xuan Wang , Kai Ruan , Jiayi Han , Kaiyue Zhou , Gaoang Wang

Rapid advancements in artificial intelligence have significantly enhanced generative tasks involving music and images, employing both unimodal and multimodal approaches. This research develops a model capable of generating music that…

Sound · Computer Science 2024-09-13 Tanisha Hisariya , Huan Zhang , Jinhua Liang

A short overview demystifying the midi audio format is presented. The goal is to explain the file structure and how the instructions are used to produce a music signal, both in the case of monophonic signals as for polyphonic signals.

Sound · Computer Science 2018-01-24 H. M. de Oliveira , R. C. de Oliveira