Related papers: Tonal Frequencies, Consonance, Dissonance: A Math-…
Consonance is related to the perception of pleasantness arising from a combination of sounds and has been approached quantitatively using mathematical relations, physics, information theory, and psychoacoustics. Tonal consonance is present…
The mathematics of musical intervals and scales has been extensively studied. Vastly simplified, our ears seem to prefer intervals whose frequency ratios have small numerator and denominator, such as 2:1 (octave), 3:2 (perfect fifth), 4:3…
In classical music and in any genre of contemporary music, the tonal elements or notes used for playing are the same. The numerous possibilities of chords for a given instance in a piece make the playing, in general, very intricate, and…
The perception of consonance/dissonance of musical harmonies is strongly correlated with their periodicity. This is shown in this article by consistently applying recent results from psychophysics and neuroacoustics, namely that the just…
The Pythagorean school attributed consonance in music to simplicity of frequency ratios between musical tones. In the last two centuries, the consonance curves developed by Helmholtz, Plompt and Levelt shifted focus to psycho-acoustic…
Sound consonance is the reason why it is possible to exist music in our life. However, rules of consonance between sounds had been found quite subjectively, just by hearing. To care for, the proposal is to establish a sound consonance law…
Musical chords, harmonies or melodies in Just Intonation have note frequencies which are described by a base frequency multiplied by rational numbers. For any local section, these notes can be converted to some base frequency multiplied by…
Most music theory books are like medieval medical textbooks: they contain unjustified superstition, non-reasoning, and funny symbols glorified by Latin phrases. How does music, in particular harmony, actually work, presented as a real,…
To many people, music is a mystery. It is uniquely human, because no other species produces elaborate, well organized sound for no particular reason. It has been part of every known civilization on earth. It has become a very part of man's…
Rhythms and vibrations represent the quintessence of life, they are ubiquitous (systemic) in all living systems. Recognising, unfolding these rhythms is paramount in medicine, for example in the physiology of the heart, lung, hearing,…
In this paper we present mathematical and physical models to be used in the analysis of the problem of intonation of musical instruments such as guitars, mandolins and the like, i.e., we study how to improve the tuning on these instruments.…
The melodic consonance of a sequence of tones is explained using the overtone series: the overtones form "flow lines" that link the tones melodically; the strength of these flow lines determines the melodic consonance. This hypothesis…
How do different musical traditions achieve tonal coherence? Most computational measures to date have analysed tonal coherence in terms of a single dimension, whereas a multi-dimensional analyses have not been sufficiently explored. We…
The origins of consonance in human music has long been contested, and today there are three primary hypotheses: aversion to roughness, preference for harmonicity, and learned preferences from cultural exposure. While the evidence is…
The dichotic method of hearing sound adapts in the region of musical harmony. The algorithm of the separation of the being dissonant voices into several separate groups is proposed. For an increase in the pleasantness of chords the…
We develop aspects of music theory related to harmony, such as scales, chord formation and improvisation from a combinatorial perspective. The goal is to provide a foundation for this subject by deriving the basic structure from a few…
The Mozart effect refers to scientific data on short-term improvement on certain mental tasks after listening to Mozart, and also to its popularized version that listening to Mozart makes you smarter (Tomatis, 1991; Wikipedia, 2012). Does…
We present an algebraic construction of music notes and show how to associate them inseveral ways to construct music ranges. Then a family of ranges emerge with a fixed number of notes: two, three, five, seven, twelve, seventeen, etc. A…
In physics, timbre is a complex phenomenon, like color. Musical timbres are given by the superposition of sinusoidal signals, corresponding to longitudinal acoustic waves. Colors are produced by the superposition of transverse…
We investigate correlations among pitches in several songs and pieces of piano music by mapping them to one-dimensional walks. Two kinds of correlations are studied, one is related to the real values of frequencies while they are treated…