Related papers: Learned complex masks for multi-instrument source …
A flexible recommendation and retrieval system requires music similarity in terms of multiple partial elements of musical pieces to allow users to select the element they want to focus on. A method for music similarity learning using…
Music demixing is the task of separating different tracks from the given single audio signal into components, such as drums, bass, and vocals from the rest of the accompaniment. Separation of sources is useful for a range of areas,…
State-of-the-art under-determined audio source separation systems rely on supervised end-end training of carefully tailored neural network architectures operating either in the time or the spectral domain. However, these methods are…
Current anti-spoofing and audio deepfake detection systems use either magnitude spectrogram-based features (such as CQT or Melspectrograms) or raw audio processed through convolution or sinc-layers. Both methods have drawbacks: magnitude…
While traditional audio visualization methods depict amplitude intensities vs. time, such as in a time-frequency spectrogram, and while some may use complex phase information to augment the amplitude representation, such as in a reassigned…
Music segmentation refers to the dual problem of identifying boundaries between, and labeling, distinct music segments, e.g., the chorus, verse, bridge etc. in popular music. The performance of a range of music segmentation algorithms has…
In this paper, we propose a novel separation system for extracting two speech signals from two microphone recordings. Our system combines the blind source separation technique with cepstral smoothing of binary time-frequency masks. The last…
Recently, phase processing is attracting increasinginterest in speech enhancement community. Some researchersintegrate phase estimations module into speech enhancementmodels by using complex-valued short-time Fourier transform(STFT)…
It is commonly believed that multipath hurts various audio processing algorithms. At odds with this belief, we show that multipath in fact helps sound source separation, even with very simple propagation models. Unlike most existing…
We present a deep learning based methodology for extracting the singing voice signal from a musical mixture based on the underlying linguistic content. Our model follows an encoder decoder architecture and takes as input the magnitude…
We study the problem of semi-supervised singing voice separation, in which the training data contains a set of samples of mixed music (singing and instrumental) and an unmatched set of instrumental music. Our solution employs a single…
This paper describes a versatile method that accelerates multichannel source separation methods based on full-rank spatial modeling. A popular approach to multichannel source separation is to integrate a spatial model with a source model…
Harmonic/percussive source separation (HPSS) consists in separating the pitched instruments from the percussive parts in a music mixture. In this paper, we propose to apply the recently introduced Masker-Denoiser with twin networks (MaD…
The task of manipulating the level and/or effects of individual instruments to recompose a mixture of recordings, or remixing, is common across a variety of applications such as music production, audio-visual post-production, podcasts, and…
Speech separation has been very successful with deep learning techniques. Substantial effort has been reported based on approaches over spectrogram, which is well known as the standard time-and-frequency cross-domain representation for…
Most of the recent neural source separation systems rely on a masking-based pipeline where a set of multiplicative masks are estimated from and applied to a signal representation of the input mixture. The estimation of such masks, in almost…
A divide and conquer strategy for enhancement of noisy speeches in adverse environments involving lower levels of SNR is presented in this paper, where the total system of speech enhancement is divided into two separate steps. The first…
Existing work on pitch and timbre disentanglement has been mostly focused on single-instrument music audio, excluding the cases where multiple instruments are presented. To fill the gap, we propose DisMix, a generative framework in which…
Audio source separation is usually achieved by estimating the short-time Fourier transform (STFT) magnitude of each source, and then applying a spectrogram inversion algorithm to retrieve time-domain signals. In particular, the multiple…
Monaural source separation is important for many real world applications. It is challenging because, with only a single channel of information available, without any constraints, an infinite number of solutions are possible. In this paper,…