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Musicians mostly have to rely on their ears when they want to analyze what they play, for example to detect errors. Since hearing is sequential, it is not possible to quickly grasp an overview over one or multiple recordings of a whole…

Human-Computer Interaction · Computer Science 2026-03-26 Frank Heyen , Michael Sedlmair

Beginner musicians often struggle to identify specific errors in their performances, such as playing incorrect notes or rhythms. There are two limitations in existing tools for music error detection: (1) Existing approaches rely on…

The advancement of machine learning in audio analysis has opened new possibilities for technology-enhanced music education. This paper introduces a framework for automatic singing mistake detection in the context of music pedagogy,…

Audio and Speech Processing · Electrical Eng. & Systems 2026-02-09 Sumit Kumar , Suraj Jaiswal , Parampreet Singh , Vipul Arora

We address the issue of editing musical performance data, in particular MIDI files representing human musical performances. Editing such sequences raises specific issues due to the ambiguous nature of musical objects. The first source of…

Sound · Computer Science 2019-03-21 Pierre Roy , Francois Pachet

MIDI performances are generally expedient in performance research and music information retrieval, and even more so if they can be connected to a score. This connection is usually established by means of alignment, linking either notes or…

Sound · Computer Science 2025-05-09 Silvan Peter , Patricia Hu , Gerhard Widmer

Music scores are used to precisely store music pieces for transmission and preservation. To represent and manipulate these complex objects, various formats have been tailored for different use cases. While music notation follows specific…

Multimedia · Computer Science 2025-10-06 Géré Léo , Nicolas Audebert , Florent Jacquemard

This paper discusses real-time alignment of audio signals of music performance to the corresponding score (a.k.a. score following) which can handle tempo changes, errors and arbitrary repeats and/or skips (repeats/skips) in performances.…

Sound · Computer Science 2022-12-05 Tomohiko Nakamura , Eita Nakamura , Shigeki Sagayama

In the face of a new era of generative models, the detection of artificially generated content has become a matter of utmost importance. In particular, the ability to create credible minute-long synthetic music in a few seconds on…

Sound · Computer Science 2025-01-20 Darius Afchar , Gabriel Meseguer-Brocal , Romain Hennequin

This paper presents a study on the use of a real-time music-to-image system as a mechanism to support and inspire musicians during their creative process. The system takes MIDI messages from a keyboard as input which are then interpreted…

Human-Computer Interaction · Computer Science 2024-07-09 Meng Yang , Maria Teresa Llano , Jon McCormack

Modern keyboards allow a musician to play multiple instruments at the same time by assigning zones -- fixed pitch ranges of the keyboard -- to different instruments. In this paper, we aim to further extend this idea and examine the…

Sound · Computer Science 2021-10-22 Hao-Wen Dong , Chris Donahue , Taylor Berg-Kirkpatrick , Julian McAuley

MIDI-sheet music alignment is the task of finding correspondences between a MIDI representation of a piece and its corresponding sheet music images. Rather than using optical music recognition to bridge the gap between sheet music and MIDI,…

Multimedia · Computer Science 2020-04-23 Thitaree Tanprasert , Teerapat Jenrungrot , Meinard Mueller , T. J. Tsai

In this paper, we introduce the MIDI Degradation Toolkit (MDTK), containing functions which take as input a musical excerpt (a set of notes with pitch, onset time, and duration), and return a "degraded" version of that excerpt with some…

Sound · Computer Science 2020-10-02 Andrew McLeod , James Owers , Kazuyoshi Yoshii

Musical expression requires control of both what notes are played, and how they are performed. Conventional audio synthesizers provide detailed expressive controls, but at the cost of realism. Black-box neural audio synthesis and…

In this paper, we present a neural network approach for synchronizing audio recordings of human piano performances with their corresponding loosely aligned MIDI files. The task is addressed using a Convolutional Recurrent Neural Network…

Sound · Computer Science 2025-06-30 Sebastian Murgul , Moritz Reiser , Michael Heizmann , Christoph Seibert

Learning a musical instrument requires a lot of practice, which ideally, should be done every day. During practice sessions, students are on their own in the overwhelming majority of the time, but access to experts that support students…

Human-Computer Interaction · Computer Science 2021-01-05 Karola Marky , Andreas Weiß , Thomas Kosch

Recent AI-driven step-function advances in several longstanding problems in music technology are opening up new avenues to create the next generation of music education tools. Creating personalized, engaging, and effective learning…

Sound · Computer Science 2024-12-19 Mayank Sanganeria , Rohan Gala

With increasing amounts of music being digitally transferred from production to distribution, automatic means of determining media quality are needed. Protection mechanisms in digital audio processing tools have not eliminated the need of…

Sound · Computer Science 2022-02-14 Daniel Wolff , Rémi Mignot , Axel Roebel

This study focuses on the perception of music performances when contextual factors, such as room acoustics and instrument, change. We propose to distinguish the concept of "performance" from the one of "interpretation", which expresses the…

Sound · Computer Science 2022-03-08 Federico Simonetta , Federico Avanzini , Stavros Ntalampiras

An ideal music synthesizer should be both interactive and expressive, generating high-fidelity audio in realtime for arbitrary combinations of instruments and notes. Recent neural synthesizers have exhibited a tradeoff between…

In this paper, we present a machine-learning approach to pitch correction for voice in a karaoke setting, where the vocals and accompaniment are on separate tracks and time-aligned. The network takes as input the time-frequency…

Sound · Computer Science 2018-05-08 Sanna Wager , Lijiang Guo , Aswin Sivaraman , Minje Kim
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