Related papers: Image Inpainting Based on a Novel Criminisi Algori…
Block-sparse regularization is already well-known in active thermal imaging and is used for multiple measurement based inverse problems. The main bottleneck of this method is the choice of regularization parameters which differs for each…
In this paper the problem of image restoration (denoising and inpainting) is approached using sparse approximation of local image blocks. The local image blocks are extracted by sliding square windows over the image. An adaptive block size…
We study image segmentation from an information-theoretic perspective, proposing a novel adversarial method that performs unsupervised segmentation by partitioning images into maximally independent sets. More specifically, we group image…
Inpainting is the technique of reconstructing unknown or damaged portions of an image in a visually plausible way. Inpainting algorithm automatically fills the damaged region in an image using the information available in undamaged region.…
A fundamental problem in computer vision is that of inferring the intrinsic, 3D structure of the world from flat, 2D images of that world. Traditional methods for recovering scene properties such as shape, reflectance, or illumination rely…
Single image inverse problem is a notoriously challenging ill-posed problem that aims to restore the original image from one of its corrupted versions. Recently, this field has been immensely influenced by the emergence of deep-learning…
Deep image inpainting has made impressive progress with recent advances in image generation and processing algorithms. We claim that the performance of inpainting algorithms can be better judged by the generated structures and textures.…
This article studies the problem of image restoration of observed images corrupted by impulse noise and mixed Gaussian impulse noise. Since the pixels damaged by impulse noise contain no information about the true image, how to find this…
Deep image inpainting research mainly focuses on constructing various neural network architectures or imposing novel optimization objectives. However, on the one hand, building a state-of-the-art deep inpainting model is an extremely…
We provide a theoretical justification for sample recovery using diffusion based image inpainting in a linear model setting. While most inpainting algorithms require retraining with each new mask, we prove that diffusion based inpainting…
We study the task of image inpainting, which is to fill in the missing region of an incomplete image with plausible contents. To this end, we propose a learning-based approach to generate visually coherent completion given a high-resolution…
This paper concerns with nonuniform sampling and interpolation methods combined with variational models for the solution of a generalized image inpainting problem and the restoration of digital signals. In particular, we discuss the problem…
We propose an automatic video inpainting algorithm which relies on the optimisation of a global, patch-based functional. Our algorithm is able to deal with a variety of challenging situations which naturally arise in video inpainting, such…
Interpolation based image zooming methods provide a high execution speed and low computational complexity. However, the quality of the zoomed images is unsatisfactory in many cases. The main challenge of super- resolution methods is to…
In recent years, patch-based image restoration approaches have demonstrated superior performance compared to conventional variational methods. This paper delves into the mathematical foundations underlying patch-based image restoration…
Deep learning-based video inpainting has yielded promising results and gained increasing attention from researchers. Generally, these methods usually assume that the corrupted region masks of each frame are known and easily obtained.…
The paper proposes a statistical learning approach to the problem of estimating missing pixels of images, crucial for image inpainting and super-resolution problems. One of the main novelties of the method is that it also provides…
The colorful appearance of a physical painting is determined by the distribution of paint pigments across the canvas, which we model as a per-pixel mixture of a small number of pigments with multispectral absorption and scattering…
This paper introduces a new approach for the automated reconstruction - reassembly of fragmented objects having one surface near to plane, on the basis of the 3D representation of their constituent fragments. The whole process starts by 3D…
Distortion identification and rectification in images and videos is vital for achieving good performance in downstream vision applications. Instead of relying on fixed trial-and-error based image processing pipelines, we propose a two-level…