Related papers: Raga Identification using Repetitive Note Patterns…
Large scale machine learning-based Raga identification continues to be a nontrivial issue in the computational aspects behind Carnatic music. Each raga consists of many unique and intrinsic melodic patterns that can be used to easily…
A raga is a melodic structure with fixed notes and a set of rules characterizing a certain mood endorsed through performance. By a vadi swar is meant that note which plays the most significant role in expressing the raga. A samvadi swar…
Raga is a fundamental melodic concept in Indian Art Music (IAM). It is characterized by complex patterns. All performances and compositions are based on the raga framework. Raga and tonic detection have been a long-standing research problem…
A vital aspect of Indian Classical Music (ICM) is Raga, which serves as a melodic framework for compositions and improvisations alike. Raga Recognition is an important music information retrieval task in ICM as it can aid numerous…
Raga is the central melodic concept in Hindustani Classical Music. It has a complex structure, often characterized by pathos. In this paper, we describe a technique for Automatic Raga Recognition, based on pitch distributions. We are able…
Raga identification is an important problem within the domain of Indian Art music, as Ragas are fundamental to its composition and performance, playing a crucial role in music retrieval, preservation, and education. Few studies that have…
Ragas form the foundation for Indian Classical Music. The task of Raga Recognition has gained traction in the Music Information Retrieval community in the recent past, which can be attributed to the nuances of Indian Classical Music that…
Gamakas are an integral aspect of Carnatic Music, a form of classical music prevalent in South India. They are used in ragas, which may be seen as melodic scales and/or a set of characteristic melodic phrases. Gamakas exhibit continuous…
Raga identification in Indian Art Music (IAM) remains challenging due to the presence of numerous rarely performed Ragas that are not represented in available training datasets. Traditional classification models struggle in this setting, as…
Ornamentations, embellishments, or microtonal inflections are essential to melodic expression across many musical traditions, adding depth, nuance, and emotional impact to performances. Recognizing ornamentations in singing voices is key to…
In North Indian Classical music, each raga has been traditionally associated with a performance time, which supposedly maximizes its aesthetic and emotional effects on the listener. The objective of this work was to investigate the…
The impact of Music on the mood or emotion of the listener is a well-researched area in human psychology and behavioral science. In Indian classical music, ragas are the melodic structure that defines the various styles and forms of the…
The musicological analysis of Carnatic music is challenging, owing to its rich structure and complexity. Automated \textit{r\=aga} classification, pitch detection, tonal analysis, modelling and information retrieval of this form of southern…
The notes which play the most important and second most important roles in expressing a raga are called Vadi and Samvadi swars respectively in (North) Indian Classical music. Like Bageshree, Bhairavi, Shankara, Hamir and Kalingra, Rageshree…
Since the start of Indian cinema, a number of films have been made where a particular song is based on a certain raga. These songs have been taking a major role in spreading the essence of classical music to the common people, who have no…
We present a melody based classification of musical styles by exploiting the pitch and energy based characteristics derived from the audio signal. Three prominent musical styles were chosen which have improvisation as integral part with…
In North Indian Classical Music, raga forms the basic structure over which individual improvisations is performed by an artist based on his/her creativity. The Alap is the opening section of a typical Hindustani Music (HM) performance,…
South Indian classical music (Carnatic music) is best consumed through live concerts. A carnatic recital requires meticulous planning accounting for several parameters like the performers' repertoire, composition variety, musical…
Semi Natural Algorithmic composition (SNCA) is the technique of using algorithms to create music note sequences in computer with the understanding that how to render them would be decided by the composer. In our approach we are proposing an…
Tabla is a North Indian percussion instrument used as an accompaniment and an exclusive instrument for solo performances. Tabla solo is intricate and elaborate, exhibiting rhythmic evolution through a sequence of homogeneous sections marked…