English

The Sound Demixing Challenge 2023 $\unicode{x2013}$ Music Demixing Track

Audio and Speech Processing 2024-04-22 v4 Sound

Abstract

This paper summarizes the music demixing (MDX) track of the Sound Demixing Challenge (SDX'23). We provide a summary of the challenge setup and introduce the task of robust music source separation (MSS), i.e., training MSS models in the presence of errors in the training data. We propose a formalization of the errors that can occur in the design of a training dataset for MSS systems and introduce two new datasets that simulate such errors: SDXDB23_LabelNoise and SDXDB23_Bleeding. We describe the methods that achieved the highest scores in the competition. Moreover, we present a direct comparison with the previous edition of the challenge (the Music Demixing Challenge 2021): the best performing system achieved an improvement of over 1.6dB in signal-to-distortion ratio over the winner of the previous competition, when evaluated on MDXDB21. Besides relying on the signal-to-distortion ratio as objective metric, we also performed a listening test with renowned producers and musicians to study the perceptual quality of the systems and report here the results. Finally, we provide our insights into the organization of the competition and our prospects for future editions.

Keywords

Cite

@article{arxiv.2308.06979,
  title  = {The Sound Demixing Challenge 2023 $\unicode{x2013}$ Music Demixing Track},
  author = {Giorgio Fabbro and Stefan Uhlich and Chieh-Hsin Lai and Woosung Choi and Marco Martínez-Ramírez and Weihsiang Liao and Igor Gadelha and Geraldo Ramos and Eddie Hsu and Hugo Rodrigues and Fabian-Robert Stöter and Alexandre Défossez and Yi Luo and Jianwei Yu and Dipam Chakraborty and Sharada Mohanty and Roman Solovyev and Alexander Stempkovskiy and Tatiana Habruseva and Nabarun Goswami and Tatsuya Harada and Minseok Kim and Jun Hyung Lee and Yuanliang Dong and Xinran Zhang and Jiafeng Liu and Yuki Mitsufuji},
  journal= {arXiv preprint arXiv:2308.06979},
  year   = {2024}
}

Comments

Published in Transactions of the International Society for Music Information Retrieval (https://transactions.ismir.net/articles/10.5334/tismir.171)