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On Multifractal Structure in Non-Representational Art

Popular Physics 2015-06-26 v2 Physics and Society

Abstract

Multifractal analysis techniques are applied to patterns in several abstract expressionist artworks, paintined by various artists. The analysis is carried out on two distinct types of structures: the physical patterns formed by a specific color (``blobs''), as well as patterns formed by the luminance gradient between adjacent colors (``edges''). It is found that the analysis method applied to ``blobs'' cannot distinguish between artists of the same movement, yielding a multifractal spectrum of dimensions between about 1.5-1.8. The method can distinguish between different types of images, however, as demonstrated by studying a radically different type of art. The data suggests that the ``edge'' method can distinguish between artists in the same movement, and is proposed to represent a toy model of visual discrimination. A ``fractal reconstruction'' analysis technique is also applied to the images, in order to determine whether or not a specific signature can be extracted which might serve as a type of fingerprint for the movement. However, these results are vague and no direct conclusions may be drawn.

Keywords

Cite

@article{arxiv.physics/0506063,
  title  = {On Multifractal Structure in Non-Representational Art},
  author = {J. R. Mureika and C. C. Dyer and G. C. Cupchik},
  journal= {arXiv preprint arXiv:physics/0506063},
  year   = {2015}
}

Comments

53 pp LaTeX, 10 figures (ps/eps)