On Multifractal Structure in Non-Representational Art
Abstract
Multifractal analysis techniques are applied to patterns in several abstract expressionist artworks, paintined by various artists. The analysis is carried out on two distinct types of structures: the physical patterns formed by a specific color (``blobs''), as well as patterns formed by the luminance gradient between adjacent colors (``edges''). It is found that the analysis method applied to ``blobs'' cannot distinguish between artists of the same movement, yielding a multifractal spectrum of dimensions between about 1.5-1.8. The method can distinguish between different types of images, however, as demonstrated by studying a radically different type of art. The data suggests that the ``edge'' method can distinguish between artists in the same movement, and is proposed to represent a toy model of visual discrimination. A ``fractal reconstruction'' analysis technique is also applied to the images, in order to determine whether or not a specific signature can be extracted which might serve as a type of fingerprint for the movement. However, these results are vague and no direct conclusions may be drawn.
Cite
@article{arxiv.physics/0506063,
title = {On Multifractal Structure in Non-Representational Art},
author = {J. R. Mureika and C. C. Dyer and G. C. Cupchik},
journal= {arXiv preprint arXiv:physics/0506063},
year = {2015}
}
Comments
53 pp LaTeX, 10 figures (ps/eps)