Back to Ear: Perceptually Driven High Fidelity Music Reconstruction
Abstract
Variational Autoencoders (VAEs) are essential for large-scale audio tasks like diffusion-based generation. However, existing open-source models often neglect auditory perceptual aspects during training, leading to weaknesses in phase accuracy and stereophonic spatial representation. To address these challenges, we propose {\epsilon}ar-VAE, an open-source music signal reconstruction model that rethinks and optimizes the VAE training paradigm. Our contributions are threefold: (i) A K-weighting perceptual filter applied prior to loss calculation to align the objective with auditory perception. (ii) Two novel phase losses: a Correlation Loss for stereo coherence, and a Phase Loss using its derivatives--Instantaneous Frequency and Group Delay--for precision. (iii) A new spectral supervision paradigm where magnitude is supervised by all four Mid/Side/Left/Right components, while phase is supervised only by the LR components. Experiments show {\epsilon}ar-VAE at 44.1kHz substantially outperforms leading open-source models across diverse metrics, showing particular strength in reconstructing high-frequency harmonics and the spatial characteristics.
Cite
@article{arxiv.2509.14912,
title = {Back to Ear: Perceptually Driven High Fidelity Music Reconstruction},
author = {Kangdi Wang and Zhiyue Wu and Dinghao Zhou and Rui Lin and Junyu Dai and Tao Jiang},
journal= {arXiv preprint arXiv:2509.14912},
year = {2025}
}
Comments
Check the Code here: https://github.com/Eps-Acoustic-Revolution-Lab/EAR_VAE and Model Weights here: https://huggingface.co/earlab/EAR_VAE